It’s that time of year… Halloween-inspired art comes to the forefront, and is somehow appreciated just a little bit more, given the increased interest in all things ghosts, goblins, werewolves and the like. Say what you will, but there is no less artistic merit in thoughtfully conceived, masterfully executed art, no matter the subject matter. British paper artist Marc Hagan-Guirey, also known as Paper Dandy, is like a wizard with little more than an Xacto and a single sheet of paper (yes, no glue or adhesive of any kind). He’s well-versed in the art of “kirigami”, a variation of origami that includes cutting of the paper (from Japanese “kiru” = to cut, “kami” = paper). It is also called “Kirie”. From “Kiru”= to cut, “e”= picture. Hagan-Guirey’s latest project, cleverly titled Horrorgami, draws its inspiration from classic horror films. The recently released book (available here), derived from his well-received exhibition a few years back, features “20 gruesome scenes to cut and fold”. We love the intricate details Hagan-Guirey achieves, and the expression in his work. The photos throughout the book are also notable, lit in such a way that really brings each piece to life. More paper art posts here and here and here.
With the proliferation of digital photography, pared with editing software like Photoshop, photo retouching is basically the norm these days. There has certainly been some controversy (good example here) surrounding the practice, especially when it comes to the issue of misrepresentation. Hungarian photographer/artist Flora Borsi specializes in digital manipulation, but with surprising effect that can even be described as unnerving. Turning retouching on its head, with her project Stockify, Borsi’s work clearly finds inspiration from legendary surrealist painters that came before her, most notably Picasso and Dali. Borsi brings the fundamentals of surrealist artwork, particularly unexpected juxtapositions, to the digital age with this arresting series. In her own words, “In this project I’ve been analyzing some fashion portraits, how perfect they are. So I made the opposite of retouching, somehow I distouched these pictures of perfect models. This project is connected to surrealist painters point of view: beauty wasn’t enough to give me interest. I love imperfections as much as I love surrealism. These pictures are my little monsters, no one wants to look like them, because they are totally unique.”
Romania-born, New York City-based illustrator/designer/art director Daniel Nyari employs a distinct style of bulbous shapes and bold colors in a geometric and cubist sort of way. And we love it, as do his impressive roster of clients, which includes ESPN, Wired, GQ, Adidas, National Geographic, Microsoft, Men’s Health, among others. Nyari says he wants “to make art that looks like it was made by a computer which thinks it’s human.” His process is methodical and based on a grid, and this thoughtfulness shows. Nyari’s body of work is comprised of a great deal of football (soccer) projects, which is clearly a passion, and derives naturally from his European roots. But make no mistake, this is not a hobby for Nyari. He’s a terrific illustrator who has found his way and is making his mark in a crowded landscape of creatives.