It is often said that art has a way of transporting viewers, whether conjuring past memories or sometimes through the immersion of visual stimulation. In the case of London-based Japanese photographer Chino Otsuka, such transport is a bit more literal, and turned on herself as both photographer and subject. Otsuka’s series Imagine Finding Me is a sort of conceptual time machine, where she digitally inserts herself into childhood photos. In her own words, Otsuka says, “A new journey has begun, on board a time machine built from digital tools. I’m traveling back, transported to places where I once belonged, cities where I once visited and on arrival I find myself from the past. Navigating through the labyrinth of memory I become a tourist of my own history. And throughout this unique journey I keep a diary.” We are absolutely taken with the concept, but it’s Otsuka’s adept skills with said digital tools that really make this series shine. In the hands of a less capable photographer, this would not have been nearly as effective. Huge success any way you look at it.
We are compelled to check in on the work of renowned Russian illustrator/graphic designer Eiko Ojala every so often (here and here) because he’s just so good. Ojala’s style is distinct… we now recognize it from a mile away. These are truly mixed media endeavors, mixing digital illustration, paper textures, and both real and artificial shadows. His adept sense of color, composition and depth are hallmarks of his incredible body of work, which includes illustrations for a variety of impressive clients including The New York Times, National Geographic Traveler Magazine, Herman Miller, Harvard Business Review, Scientific American Mind, Ebony Magazine and The New Yorker. Here’s a sampling of some of his more recent work, including a children’s book he recently illustrated (available for purchase here). Enjoy.
Graffiti by its very nature changes the appearance of the surface on which it is displayed. But what happens when the “graffiti” itself continually changes as well? Delhi, India-based graffiti artist Daku (which literally means “bandit” or “dacoit” in Hindi… clearly a reference to the outlaw nature of graffiti art itself) explores this concept with his absolutely brilliant piece Time Changes Everything. Technically more public art than graffiti, Daku worked with St+art India Foundation, a non-profit organization that works on art projects in public spaces with accessibility of art as the main goal. Daku’s innovative work is basically a typographic sundial, where thoughtfully chosen words associated with change over the passage of time cast a shadow on a building’s facade by way of sunlight. From conception to execution, we are absolutely taken with this project. Mystery surrounding Daku’s actual identity may be part of his allure, but his overwhelming talent is crystal clear.
Via st-artindia.org and Instagram (daku156 and startindia)
We’ve featured California-based contemporary artist Andrew Myers before (here), but his awesome work deserves a revisit. Myers amalgamates sculpture and portraiture in some really intriguing ways. Whether intentional or not, on some level Myers’ work bears some resemblance (at least conceptually) to that of the great Chuck Close. Rather than splotchy “pixels” of paint, Myers’ work is comprised of screws (yes, as in something you’d get from a hardware store). He painstakingly drives thousands of screws by hand (ranging from a few thousand to over 10,000) at various depths into his “canvas”, then paints over each screw head to create these brilliant works, that in the end are basically three dimensional sculptures. These stunning portraits are engaging viewed from near or far, but as one gets closer, it’s clear that Myers spends some serious time creating these works. He has an obvious love for working with his hands and clearly knows his way around a tool bench… hardware seems to be a common theme in all of his work, from these aforementioned screws to steel rods and even automotive paint. You will see in the video below, Myers has the hands of a carpenter, and we can see why. Tremendous, tactile work… we absolutely love it.
[vimeo 166149898 w=640 h=360]