Archives for category: Campaign

You must admit, the “pumpkin spice” phenomenon that has taken over in recent years may be getting bit out of hand. We find premature pumpkin spicing particularly offensive (as does this guy)… we do not need pumpkin spiced anything in August! In any case, with the autumnal flavors creeping in, so do all the colors, textures and visuals of the season. We love food-related typography (here and here and here), so when UK designer Daniel Coleman pulled back the curtain on his process for this fittingly delicious take on pumpkin spiced typography, we were immediately intrigued. In his own words, Coleman discusses the project: “Esquires’ Pumpkin Spice Latte is the coffee chain’s hero product for Autumn 2016. We were asked to produce a key visual that captured the Esquires brand points of being artisan and handmade, whilst conveying the products ingredients as authentic (and not just a syrup shot). We designed a visual that captured those standpoints, with a particular focus on the authentic ingredients. By creating the type out of cinnamon, we could emphasise the flavour in the latte. To further set the mood, we added leaves and key ingredients around the typography. We experimented with various ingredients, looking at what gave the greatest clarity, colour and perception of flavour. Given the nature of the product we decided to work with cinnamon. The type was created by adjusting a font named ‘Beyond the Mountains’, making sure it had no complete bowls, eyes or loops. The next step was to laser cut it out onto card to create our stencil. The final result took a few experiments, using varying amounts of cinnamon to ensure the best detail and legibility.”

Via Behance

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Legos and art have been crossing paths for years now (here and here and here). These colorful bricks that come in a vast spectrum of colors inspire not only young children, but also creative-thinking adults the world over. We are in awe of this brilliant ad campaign for Lego from a few years back, featuring highly minimalistic configurations of single-stud bricks depicting some of the most iconic paintings by masters from da Vinci to van Gogh. The human brain is truly intriguing. The fact that most people would recognize these works of art, with mere hints of details, really is amazing when we think about it. Kudos to Milan-based art director Marco Sodano for the clever concept and flawless execution.

Via Behance

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Fresh on the minds of Americans in this spirited election season, and following last night’s first presidential debate, Donald Trump has firmly cemented his Q Rating (whether favorable or not) into the public consciousness. It should come as no surprise, then, when artwork reflects current affairs (related posts here and here). We’ve discussed the awesome and thought-provoking work of Brazilian artist Butcher Billy not long ago (here), and thought it fitting to share his recent series featuring Trump. Butcher Billy’s skill is clear, and this homage to Belgian surrealist René Magritte, aptly titled Trump X Magritte: The Surrealist Series, draws on his keen sense of color and composition. As Butcher Billy says himself, “Because nothing is more surreal than The Donald.”

Via Behance

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We feel one of our fundamental responsibilities as designers is to employ our creative resources to help communicate and disseminate messages for public good, when possible. The right visuals can be powerful and in this instance, also quite beautiful. Commissioned by German environmental advocacy group Robin Wood, ad agency Grabarz & Partner collaborated with some clearly talented folks from Berlin to Bangkok to create this compelling series of advertisements illustrating the destruction of nature and wildlife around the world. Anchored by a clever concept, the execution here is spot-on. With the use of double exposure (other examples here and here), these compelling ads feature an animal and its natural habitat threatened by destruction. We love the composition and endless details of each piece. Just excellent all around.

Via Behance

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We have a certain fondness for Scandinavian design; what’s not to love when functionality and simplicity converge? These characteristics extend through many facets of design, including architecture, furniture, household objects, and, of course, photography and graphic design. So it’s no wonder we’re so taken with this series of photographs by Danish photographer Mikkel Jul Hvilshøj. Commissioned by iconic, high-end Danish housewares brand Eva Solo, Hvilshøj captured these fantastic “visual recipes” in such a way that they could honestly stand on their own based on artistic merit. Hvilshøj’s work elevates marketing photography to another level. We not only love the concept, but it’s executed brilliantly.

Via hvilshoj.com

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No matter what you think of CNN’s new corporate font, aptly named CNN Sans, CNN’s investment in not only the font itself, but this humorous, highly-produced video touting its attributes seems like a win for those of us who hold the value of typography in the highest regard. As far as we’re concerned, increased awareness of the importance of typography can only be a good thing. Albeit, there are some haters who consider CNN Sans to be a blatant ripoff of Helvetica (CNN even acknowledges the, um, resemblance between the two). In case you’re wondering about possible copyright infringement, no worries… CNN Sans was developed by type foundry powerhouse Monotype Imaging, who has brought us ubiquitous typefaces such as Times New Roman, Gill Sans and Arial. Oh, and they own the rights to Helvetica.

Via cnncommentary.com

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Just this week, Uber unveiled a global rebranding that not only strayed a bit from its recognizable logotype, but also introduced a rather detached set of app icons. Can’t say that we suffered from extreme design envy over the previous Uber logotype, but it was fine. While their new logotype seems like a step in the right direction (thicker letterforms and tighter composition for maximum readability), the highbrow concept behind the app icons and larger identity seems rather misguided, and will surely be lost on most. Yes, Uber’s official statement references “bits and atoms” (“The unique aspect of Uber is that we exist in the physical world. When you push a button on your phone, a car moves across the city and appears where you are. We exist in the place where bits and atoms come together. That is Uber. We are not just technology but technology that moves cities and their citizens.”) In theory, the thought process behind the concept, which is customized identities for specific markets that aim to draw colors and patterns from “art, architecture, tradition, old and new fashion, textiles, the environment”, is a thoughtful one. But from a branding perspective, it seems to dilute the impact of the Uber brand as a whole. And that doesn’t even address that larger concern that the icon itself is not identifiable in any way as Uber. Though we had issues with the previous icon employing a dissimilar “U” letterform from the Uber logotype, at least it was just that, a letter U. This icon, or rather set of icons – one for riders, another for divers – make no effort to resemble the new Uber logotype in any way. Why abandon the “U”? Our view is not the basis of some pretentious design theory, but simple human nature. In our estimation, the biggest stumble here was not hiring branding experts for the task. We are not knocking in-house designers… they are often immensely talented with an invaluable familiarity and investment in a given brand. But this was surely not a 12+ months-long task meant to be spearheaded by a non-designer CEO. There are experts in the field who do this sort of thing, we are among them. We hear the cry among our peers: “Help us help you!” Sure, the presentation of Uber’s new identity is slick, but the principals behind the design concept as a whole indicate a lack of design leadership. An unfortunate case of just looking pretty, but not meeting a brand’s true potential.

Visuals via Uber

 

 

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The work of Montreal-based Mathieu Lévesque is, quite simply, a masterclass in food photography. We are in awe of Lévesque’s ability to apply his own creative vision to everything he (re)touches. His attention to detail is remarkable. And the wit and whimsy present in so much of his work elevates it to the next level. We are engaged on many levels by his work… inspired, envious and hungry!

Via Behance

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Though we would not necessarily describe ourselves, or our design philosophy as quirky, we can certainly appreciate an idiosyncratic design approach. Italian-based multidisciplinary design practice Mathery Studio seem to live and die by such an unconventional way of thinking, and it shows in their exceptional, and sometimes eccentric, work. Case in point is a recent project for Australian brand Odd Pears, which is in the business of selling creative and colorful mismatched socks. This campaign, Pull Them Up, is described as “a Monday to Friday guide to different ways to pull up your socks.” Mathery’s unique and humorous mode of expression is a perfect match (pun intended) for Odd Pears. In their own words, “In this campaign we focused on the act of ‘pulling up the socks’ and for five lucky Odd Pears trios we have designed a system which will allow every early morning-still-sleepy bird to get dressed in just one move.”

Via mathery.it

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Though recent weather patterns may suggest otherwise, summer is merely a fleeting memory, with that autumn feeling fast approaching. We recently stumbled upon the phenomenal work of Madrid-based studio Serial Cut, and more particularly a video they created for fashion/style giant DIESEL (who we are also especially fond of), that harkens back to those sultry summer days in the not so distant past. Showcasing their Spring/Summer collection, DIESEL commissioned Serial Cut to create this glossy, gravity defying promo loop, Melting Props, to display in store windows. We often find ourselves in awe of really well executed 3D/CGI work (here and here and here)… and Serial Cut’s work is among the best we’ve seen. In their own words: “A digital celebration of summer featuring pieces from this collection, including footwear, sunglasses, and bags, all inhabiting a glossy landscape. An ice cream cone, surfboard, and basketball all melt and dripping in the heat, encapsulated in a candy coating that shimmers through a rainbow of blues, greens, and pinks, with movements emphasizing the suspension of natural law as texture. Get into a surreal summer immersion, where gravity is merely a suggestion!”

Via serialcut.com

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