Archives for category: Design

Israeli photographer Rubi Lebovitch has a sort of subversive sense of humor, and for the record, we love it. Though his photographs themselves are pretty straightforward, Lebovitch has the uncanny ability to find the absurd in the ordinary. There’s a great cerebral quality to his work, in which the viewer is not guided by a predetermined story arc, but instead can deduce any number of things from his unexpected and beautifully absurd work. For his series Home Sweet Home, Lebovitch utilizes an intimate domestic setting for a veritable fun house. There is a certain charm in Lebovitch’s hyperbole, and ironically enough, you too can display it in your own home in a tidy coffee table book (available here). In his own words, Lebovitch discusses his book: “My photographs deal with domestic scenes captured in straightforward images…characterized by mystery, vagueness and absurdity. I create a twist in familiar sights and build new contexts, thus endowing the scene with new meanings. Mundane objects and domestic spaces are transformed into something strange and surprising. My images do not contain a clear-cut story or plot. The characters are inscrutable to the viewers and difficult to identify; their relationship with the world around them is senseless and they fail to communicate. Rationality is substituted by a twisted and exaggerated worldview. I employ a multiplicity of objects, allowing the objects to grow stronger and take over reality; they occupy and control the space. The scenes depicted in the photographs emphasize what usually remains hidden: the repressed, which cannot be described. The anxiety these scenes arouse undermines the peacefulness and security usually associated with home.”

Via rubilebovitch.com and loeildelaphotographie.com

lebovich-01 lebovich-02 lebovich-03 lebovich-04 lebovich-05 lebovich-06 lebovich-07 lebovich-08 lebovich-09 lebovich-10 lebovich-11 lebovich-12 lebovich-13 lebovich-14 lebovich-15 lebovich-16 lebovich-17

It is said that art is often an honest reflection of societal issues at large. History shows that for centuries art has been a sort of barometer, documenting larger issues through the lens of the artist. This certainly holds true for the work of Italian artist Alessandro Rabatti. His series Facebank serves as commentary for the very uncertain financial state of the world today, with a humorous bent, of course. Rabatti alters iconic faces on currency (related posts here and here and here) from around the world, “disguising” them as fictional superheroes. Despite the seemingly fun nature of these pieces, Rabatti’s intent and message is likely much deeper. For one, by altering the faces of these historical figures to look like familiar comic book characters with a rich (albeit fictional) history of their own, Rabatti remarks on their economic and political status, looking to them as possible “saviors” of the global economic crisis. There is an implied trust in these figures, both real and fictional, so the dialogue Rabatti initiates with this series could really go on and on. Oh, and these works are just plain cool looking. From conception to execution, we’d say Rabatti has creative super powers of his own.

Via alessandrorabatti.com

rabatti-01 rabatti-02 rabatti-03 rabatti-04 rabatti-05 rabatti-06 rabatti-07 rabatti-08 rabatti-09 rabatti-10 rabatti-11 rabatti-12 rabatti-13 rabatti-14

We have a thing for series, as you might have noticed from many of our posts. And serial projects, in which artists produce artwork for a specified stretch of time, whether it be daily or weekly or monthly, are some of our favorites (here and here and here). We recently stumbled upon 36 Days of Type, a yearly open call inviting designers, illustrators and visual artists to share their view on the letters and numbers from our alphabet. Originally conceived by Barcelona-based designers Nina Sans and Rafa Goicoechea, this creative initiative has literally generated tens of thousands of entries, and is now in its third year. The work of Belgian designer Mario De Meyer caught our eye, and led us to a virtual treasure trove of typographic wonders. For the 2016 edition, De Meyer dove head first into his varying letterforms, producing a variety of beautiful designs, each worthy of standing on its own. De Meyer’s imagination seems boundless, integrating depth and a terrific sense of color into his compositions. We’re looking forward to seeing what De Meyer whips up for 2017!

Via Behance and 36daysoftype.com

demeyer-01 demeyer-02 demeyer-03 demeyer-04 demeyer-05 demeyer-06 demeyer-07 demeyer-08 demeyer-09 demeyer-10 demeyer-11 demeyer-12 demeyer-13 demeyer-14 demeyer-15 demeyer-16 demeyer-17 demeyer-18 demeyer-19 demeyer-20 demeyer-21 demeyer-22 demeyer-23 demeyer-24 demeyer-25 demeyer-26

Welp, UK designer/illustrator/artist Christopher LaBrooy has done it again. His mad CGI skills continue to amaze us. LaBrooy is a master manipulator, creating surreal digital compositions that defy logic and reason (previous posts here and here). Aptly titled simply 911, and set in what appears to be picturesque Palm Springs, LaBrooy pays homage to the iconic 1973 Porsche 911 Carrera RS in this incredible series. What we love most about LaBrooy’s work is that he elevates his adeptness in Maxon Cinema 4D beyond gratuitous rendering for the sake of rendering, to thoughtful and awe-inspiring artwork. Gearheads may shudder at the sight of a dozen otherwise pristine Porches partially submerged in a pool, but that’s precisely what LaBrooy seems to strive for: an emotional response to his digital work. As far as we’re concerned, mission accomplished (again).

Via chrislabrooy.com

labrooy-01 labrooy-02 labrooy-03 labrooy-04

One mint Porsche 911 Carrera RS #porsche #porsche911 #bendy #animation

A video posted by Chris Labrooy (@chrislabrooy) on

labrooy-05 labrooy-06

It’s true that we’ve seen our fair share of movie posters through the years (here, here and here), but nothing quite like these. Manchester, UK-based designer/photographer/poster artist Jordan Bolton doesn’t rely on highly stylized shots from the film, or even the film’s actors. No effects-laden titles or much typography to speak of at all. Instead, for his Objects series, Bolton meticulously arranges prop elements from each film, paying careful attention to color palettes and composition to relay the film’s themes. For his Rooms series, Bolton applies that same attention to detail, focusing instead on recreating floor plans from keys scenes in the films. We cannot imagine how much close watching of these films Bolton does to be able to create these works. This is a true cinephile’s dream, and lucky for them Bolton sells prints here and here.

Via Tumblr and Facebook

bolton-01 bolton-02 bolton-03 bolton-04 bolton-05 bolton-06 bolton-07 bolton-08 bolton-09 bolton-10 bolton-11

Believe it or not, for being such a simple, uncomplicated product, Lego has some particularly clever and thought-provoking advertisements (here and here). Already three years old, this campaign celebrating 55 years of the Lego brand is basically a series of 55 visual riddles, fittingly featuring little more than the iconic bricks. The great minds at Swiss agency Cavalcade are behind these fantastically clever designs, which, much like Legos themselves, inspire a great deal of imagination. We must admit, we’re still struggling to solve many of these, but it’s so satisfying having solved the ones we did. Answer key to the few ads featured here at the bottom of this post. No peeking, try to figure them out for yourself!

Via Behance

cavalcade-01 cavalcade-02 cavalcade-03 cavalcade-04 cavalcade-05 cavalcade-06 cavalcade-07 cavalcade-08 cavalcade-09 cavalcade-10 cavalcade-11 cavalcade-12 cavalcade-13 cavalcade-14 cavalcade-15 cavalcade-16 cavalcade-17 cavalcade-18 cavalcade-19 cavalcade-20 cavalcade-21 cavalcade-22

Answers (in order of images): Yellow Submarine, Alice in Wonderland, Three Little Pigs, Purple Rain, Jaws, Spider-Man, The White Stripes, Hunger Games, Four Weddings and a Funeral, Bob Marley and the Wailers, Goldilocks and the Three Bears, Jackson 5, King Kong, Titanic, Stairway to Heaven, I Walk the Line, The Beatles, New Kids on the Block, Little Red Riding Hood, Clockwork Orange, Men in Black, Rolling Stones

We’ve seen art created from a wide variety of media, but nothing quite like this. As a matter of fact, if you had to guess how these were created just by looking at them, you’d probably have a hard time figuring it out. Relying on little more than brown packing tape, an Xacto and the filtering of light behind a translucent surface, Amsterdam-based artist Max Zorn’s work is awe-inspiring. The nuance in shading he achieves by layering tape is astounding all on its own. Never mind Zorn’s ability to manipulate the tape so intricately. It’s interesting how these works, composed of such an unexpected and artless material, are so beautiful. Zorn clearly has a penchant for the past, as indicated by his choice of subjects for the majority of his work. Interestingly, Zorn’s fondness for packing tape began as street art, as he describes in his own words: “There’s a lot of great street art by day, but it disappears after dark. I wanted to come up with urban art that uses nighttime as a setting, and there was nothing more inviting than the street lamps in Amsterdam. In the beginning I used packing tape to fill in larger sections of my marker drawings. Once I hung them on street lamps, the light’s effect opened up new ideas with ditching markers and just using tape.”

Via maxzorn.com and YouTube

zorn-01 zorn-02 zorn-03 zorn-04 zorn-05 zorn-06 zorn-07 zorn-08 zorn-09 zorn-10 zorn-11 zorn-12 zorn-13 zorn-14 zorn-15

With financial matters on the minds of many around the world on the heals of our historic presidential election just one week ago, we thought it fitting to share this project by Georgian illustrator/designer Tatiana Trikoz. Commissioned by Swiss banking group Swissquote, Trikoz created these incredibly intricate currency portraits featuring some of the world’s most famous billionaires – Mark Zuckerberg, Richard Branson and Elon Musk. Trikoz seamlessly adheres to the look of the existing currency she aims to mimic… we are in awe of the stunning details. Perhaps our president-elect will commission her to imagine his likeness on U.S. currency in the near future? Crazier things have happened….

Via Behance

trikoz-01 trikoz-02 trikoz-03 trikoz-04 trikoz-05 trikoz-06 trikoz-07 trikoz-08 trikoz-09 trikoz-10 trikoz-11 trikoz-12 trikoz-13

Tourism marketing is not something that we think of as terribly design-y. We just assume the process involves input from many people and interests, and therefor gets boiled way down from the designer’s original vision. But in the case of a Smoky Mountain Tourism campaign from several years back by Tennessee-based designer/creative director Shayne Ivy, that vision seems to have won out for the most part. We love Ivy’s style here, which lends itself really well to the concept and is beautifully executed. It’s even a bit reminiscent of other multiple exposure work (here and here), and most notably that by the great Olly Moss (here), which is certainly the highest compliment. It appears that Smoky Mountain Tourism has since shelved this campaign, but a resurrection may be in order… Ivy’s double exposure silhouette concept and treatments are far superior in our mind.

Via Behance

ivy-01 ivy-02 ivy-03 ivy-04 ivy-05

The old adage goes, “beauty is in the eye of the beholder.” Munich-based photographer/artist Nick Frank’s series Farbraum, which translates from German to “color space”, is a look at otherwise mundane sights through the eyes of a gifted visual artist. In this terrific series, Frank literally extracts colors from these images, and brings them to the forefront in compelling new ways. Frank’s sense of color and composition are quite masterful. In his own words, Frank describes the project: “What is beauty? A rusty street lamp which has not lit up a road in a while. Buildings made out of prefabricated concrete in the middle of nowhere. Faded drainage pipes covered with rust and dust. Farbraum offers evidence that beauty is indeed in the eye of the beholder. Everyday objects perceived as ugly by society are suddenly moved into a new light by extracting colors – and even more: by leaching and overlapping colored accents of the motif it gains an additional dimension. The color stripes with the isolated main color and four secondary colors of the image finally show a greater variance within the image: the variance of depth. Objects turn tangible and vivid.”

Via nickfrank.de

frank-01 frank-02 frank-03 frank-04 frank-05 frank-06 frank-07 frank-08 frank-09

%d bloggers like this: