Archives for category: Design

In an effort to pay homage to some superb Italian design manifested widely through consumer goods, Italian-American designer Gianluca Gimini conceived this series of fictional co-branded sneakers. Looking at Gimini’s body of work, particularly this imaginative series, appropriately titled “Sneakered”, it’s clear that Gimini operates on a creative plane not easily defined. At a time when consumers (very broadly speaking) seem to be steeped in the marketing of nostalgia, Gimini capitalizes on that trend and also taps into a youth culture that holds footwear, specifically sneakers, in high regard. Think of it as an exercise in mashing up historical examples of excellent product design with a vehicle that has global youth appeal (sneakers). Brilliant.

Via Behance

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Australian photographer James Popsys has some serious skills behind both the lens and his MacBook Pro, but his work is anything but serious. Popsys is not one to indulge in self-importance or highbrow projects but rather focuses on manipulating scenes from everyday life into playful, sometimes ironic works. That’s not to say his approach is not conceptual or smart… Popsys just can’t help but inject his subversive sense of humor into his surreal photographs. In these globally solemn and often humorless times, Popsys’s work is refreshing. Keep it coming.

Via jamespopsys.com

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We have long commented on the convergence of history and art. They are intrinsically intertwined, reliant on one another in many ways. So when an artist turns the documentation and storytelling aspect of said junction on its head, we surely take notice. For his series The American Revolution Revolution, Denver-based artist Shawn Huckins masterfully juxtaposes early American portraiture with social media jargon. Thoughtfully conceptualized and brilliantly executed, Huckins’s incredible work succeeds on so many levels. And it’s also important to note that these are physical paintings, should Huckins’s artistic ability ever come into question. Huckins is a superb American artist who is clearly inspired by American Neo-Classical painters, as well as more contemporary Pop artists. In his own words, Huckins explains the series: “The American Revolution was conceived through an exchange of a few well-formed ideas communicated in person and by handwritten letters. Imagine what George & Co. could have done with the Internet. Or not. Technology influences how much we know and what we believe, as well as how quickly and intelligently we convey our ideas. But does how we communicate govern the value of what we communicate? The physical act of typing very fast on small devices has undeniably impacted spelling, grammar, and punctuation, encouraging a degree of illiteracy that has become the new social norm. As goes our grammatical literacy, do our social and cultural literacies follow?”

Via shawnhuckins.com

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Photo manipulation, we’re talking done really well, is a skill unto itself. With the proliferation of Photoshop use, the average viewer seems to take manipulated photos for granted these days. Photo manipulation software is literally everywhere, including on cheap or even free apps on phones in people’s pockets. But the upper crust of Photoshop users still have it on lockdown, and we take notice when we see greatness. Enter Australia-based photographer/designer Anthony Hearsey. He takes on a variety of clients and projects, but it’s these beautifully surreal images that caught our attention. Hearsey’s work is seamless, allowing his twisted concepts to really shine. We will surely continue to follow him and look forward to seeing what he comes up with next.

Via Behance

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When done well, reimagining movie posters (here and here and here) never gets old. Movie poster design presents a unique challenge to designers… it’s usually one of the first representations of a movie people see, so there’s a tall order to embody an often complex story with a single image. French designer and illustrator Flore Maquin is clearly up to that challenge. Maquin has a knack for designing movie posters extraordinarily well. We love her bold style, which is evident throughout her pieces. And she has a clear appreciation for typography. But it’s her genuine esteem for cinema that really shines through here. These creations feel like a labor of love, and that’s what makes them truly special. Well done.

Via flore-maquin.com

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Italian photographer Dan Bannino is a consummate storyteller with a particular penchant for still life and commercial photography. Much of his work could just as easily find a home on a gallery wall as in the pages of a mass market magazine, like National Geographic, Harper’s Bazaar, Elle, Cosmopolitan and many others. With his terrific Power and Food series, Bannino explores the eating habits of powerful and influential people from around the world. In our celebrity-obsessed culture any glimpse “behind the curtain,” so to speak, is valued. A look into the private lives of public figures, no matter how brief or inconsequential, makes us feel a little closer to them. Bannino’s series capitalizes on that curiosity, with his vibrant and arresting images. We particularly love his compositions and bold style. In his own words, Bannino states, “If you’re a fast food aficionado or a pizza freak, you have more in common with Mr. Donald J. Trump, and Pope Francis himself than you ever imagined. Check out some of the most unexpected food patterns of the world’s leaders, and you’ll never eat the same way again.”

Via danbannino.com

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We’ve looked at double exposure photography many times before (here and here and here), but we’ve never seen analog work quite like this arresting series, Jarred & Displaced, by Finnish photographer Christoffer Relander. We often marvel at artists who choose more traditional or “old school” methods of art making, which is the case with Relander’s striking photos here. Rather than capturing his photos digitally, then quickly bringing them into Photoshop for manipulation, Relander takes to the dark room to work his magic. While each composite is brilliant by its own merits, Relander’s process somehow makes his work that much more precious. As if pouring his heart into these very personal photographs was not enough, Relander also collaborated with fellow Finnish photographer and filmmaker Anders Lönnfeldt on a simply exquisite short film about this project, which is a true work of art in and of itself. In his own words, Relander discusses this mysteriously beautiful ongoing project: “For over a year now I’ve been collecting landscapes in jars using analog double exposures—in this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, in the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.”

Via christofferrelander.com

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A lot has happened in the world since we last visited the quirky and thought-provoking work of Atlanta-based BBDO Creative Director Stephen McMennamy. Yet his steadfast #ComboPhotos project continues to churn out clever mashups and engage people around the globe. In fact, as cited in our previous post (here) back in September 2015, he had almost 50K Instagram followers… well, his following has ballooned to 226K and growing. And for good reason. His compositions, which are all comprised of original, thoughtfully captured photography (rather than stock images) are simple and fun. Their brilliance is in their subtlety, and also the purposeful absence of Photoshop blending tools. McMennamy’s work makes us do a double-take, which is a sure measure of something special in our minds. His work is as impressive as ever… can’t wait to check back in another 16 months to see what McMennamy has conjured up.

Via Instagram

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There’s “plenty” to love about the work of Argentinian designer/art director (and co-founder of Buenos Aires-based motion studio Plenty, and now at the helm of Playful studio) Pablo Alfieri. His vibrant and playful portfolio is crammed full of lighthearted designs that are heavy on conceptually and compositionally sound foundations. Though we don’t know him personally, we can safely deduce that Alfieri’s irreverent sense of humor shines through his fantastic designs. Be sure to peruse his robust portfolio, but we will simply leave you with a New Year greeting (yes, made from bendy straws). Hope you love Alfieri’s work as much as we do. Oh, and happy 2017 too!

Via Behance

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Israeli photographer Rubi Lebovitch has a sort of subversive sense of humor, and for the record, we love it. Though his photographs themselves are pretty straightforward, Lebovitch has the uncanny ability to find the absurd in the ordinary. There’s a great cerebral quality to his work, in which the viewer is not guided by a predetermined story arc, but instead can deduce any number of things from his unexpected and beautifully absurd work. For his series Home Sweet Home, Lebovitch utilizes an intimate domestic setting for a veritable fun house. There is a certain charm in Lebovitch’s hyperbole, and ironically enough, you too can display it in your own home in a tidy coffee table book (available here). In his own words, Lebovitch discusses his book: “My photographs deal with domestic scenes captured in straightforward images…characterized by mystery, vagueness and absurdity. I create a twist in familiar sights and build new contexts, thus endowing the scene with new meanings. Mundane objects and domestic spaces are transformed into something strange and surprising. My images do not contain a clear-cut story or plot. The characters are inscrutable to the viewers and difficult to identify; their relationship with the world around them is senseless and they fail to communicate. Rationality is substituted by a twisted and exaggerated worldview. I employ a multiplicity of objects, allowing the objects to grow stronger and take over reality; they occupy and control the space. The scenes depicted in the photographs emphasize what usually remains hidden: the repressed, which cannot be described. The anxiety these scenes arouse undermines the peacefulness and security usually associated with home.”

Via rubilebovitch.com and loeildelaphotographie.com

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