Archives for category: Pixels

It’s no secret that we love admiring typographic projects (here and here and here). When we came across this gem from German studio/duo FOREAL (previously featured here), which harkens back to childhood memories filled with cartoon references, we were immediately drawn in. We absolutely love this series and the sheer variety FOREAL was able to employ. While each letterform is vastly different, they all work nicely as a set. As for the 36 Days of Type design challenge that sparked this series in the first place, FOREAL absolutely killed it. Quite simply, #designenvy. This is just a sampling, be sure to check out the entire collection on FOREAL’s Instagram (here).

Via weareforeal.com

The beauty of the mosaic art form is how the experience changes based on the viewing distance. Wisconsin-bred, New York-based artist Kevin Champeny capitalizes on this dichotomy by creating custom hand cast urethane objects that comprise the resulting assemblage that complement the full meaning of each piece. Champeny’s work is not only visually impactful, but he drives his concepts further through these distinctive methods. Champeny explains in his own words: “I create a style of work that blurs the lines between photography, painting, and sculpting. Mosaics enable me to elicit the tension and stories between the sculpted and cast pixels and the overall image they compose. My art opens a conversation for the viewer. I want people to think about what these pieces mean to them and how their own experiences make sense of the choices I made when creating the work.”

More mosaic art here and here and here.

Via kevinchampeny.com

 

As we’ve mentioned before, we occasionally have a lapse of design envy. It doesn’t happen too often… after all, we are a pretty terrifically creative bunch here at Barbour. But sometimes we encounter work that is just so damn brilliant. So good, in a “why didn’t we think of that?” sort of way, that we have to concede our envy publicly (in a good way, of course). In this instance, it’s the illustrious work of New York-based designer and letterer Nick Misani. Though we are absolutely taken with Misani’s entire stunning body of work, we are particularly impressed with his ongoing Fauxsiacs series. Here, Misani hones his stellar lettering skills in the context of realistic mosaic illustrations to great effect. Misani’s work is clearly historically influenced, with a modern twist, and it’s no surprise that he has worked with design icon Louise Fili, perhaps the highest compliment. We will be keeping an eye on this series, which features destinations from around the world. The possibilities are endless, and hopefully coming to a city near you! Prints available here.

Via fauxsaics.com and Instagram

British artist Nick Smith speaks the visual language of a true contemporary artist. His work is thoughtful, compelling and current. Seemingly inspired by 8-bit graphics of his youth, Smith recreates recognizable paintings from a variety of famous artists using little more than a brilliant sense of color and some custom Pantone Color Chips. Though the work he’s recreating employs broad ranges of color and is often very detailed, his pixelated reinterpretations are still remarkably recognizable. True to Smith’s attention to detail, he does not use standard Pantone chips, but rather customizes them with specific names that relate to the artwork they comprise, adding another layer of dimension to these already impressive works.

More pixelated work here and here and here.

Via smithandstuff.com and Instagram

In his latest project, HI-RES, Madrid-based artist Rómulo Celdrán explores the convergence of digital art and fine art through sculpture. Celdrán’s analytical curiosity is especially intriguing for designers like us, who are constantly analyzing, consciously or subconsciously, the visual qualities of otherwise mundane objects all around us. These large-scale, visually arresting creations are really something. Not only is it compelling to look at three-dimensional pixelation before your eyes, but Celdrán uses these works to comment on the role 3D computer modeling now plays on visual perception. In his own words, Celdrán discusses the project: “Just as photography did with the two-dimensional still image and film did with the moving image, the current digital technologies that are used to generate 3D image models are revolutionizing the way we look at reality, understand it and relate to it. Whether it is the world of 3D scanning, photogrammetry, 3D design or any of their multiple forms and applications (technical, medico-scientific, recreational…) the 3D digital model shows us a reality beyond reality, a hyper-real reality.”

Via romuloceldran.com

You may recognize Perler beads from your childhood. or perhaps your children (or you) enjoy these tactile “pixels” today, whose novelty bucks the digital trend. One thing is for sure, these tiny fusible plastic beads have an appeal that transcends age and skill level. Romanian artist Claudiu Alexandru takes beading to a whole new level, having spent some 85 hours and 45,000 beads with little more than a pair of tweezers (and lots of patience) on his latest masterpiece. The result is quite something.

Via Facebook

We’ve featured California-based contemporary artist Andrew Myers before (here), but his awesome work deserves a revisit. Myers amalgamates sculpture and portraiture in some really intriguing ways. Whether intentional or not, on some level Myers’ work bears some resemblance (at least conceptually) to that of the great Chuck Close. Rather than splotchy “pixels” of paint, Myers’ work is comprised of screws (yes, as in something you’d get from a hardware store). He painstakingly drives thousands of screws by hand (ranging from a few thousand to over 10,000) at various depths into his “canvas”, then paints over each screw head to create these brilliant works, that in the end are basically three dimensional sculptures. These stunning portraits are engaging viewed from near or far, but as one gets closer, it’s clear that Myers spends some serious time creating these works. He has an obvious love for working with his hands and clearly knows his way around a tool bench… hardware seems to be a common theme in all of his work, from these aforementioned screws to steel rods and even automotive paint. You will see in the video below, Myers has the hands of a carpenter, and we can see why. Tremendous, tactile work… we absolutely love it.

Via andrewmyersart.com

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Legos and art have been crossing paths for years now (here and here and here). These colorful bricks that come in a vast spectrum of colors inspire not only young children, but also creative-thinking adults the world over. We are in awe of this brilliant ad campaign for Lego from a few years back, featuring highly minimalistic configurations of single-stud bricks depicting some of the most iconic paintings by masters from da Vinci to van Gogh. The human brain is truly intriguing. The fact that most people would recognize these works of art, with mere hints of details, really is amazing when we think about it. Kudos to Milan-based art director Marco Sodano for the clever concept and flawless execution.

Via Behance

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Nostalgia is a prominent theme in art and design… simply a reflection of the human experience and human nature in general. We’ve seen it take many forms time and time again. Our latest find is a “bit” unexpected (no pun intended). Taking larger-than-life personas of rap and hip-hop artists, and minimizing them into pixelated 8-bit graphics may seem counterintuitive in this age of lifelike 3D avatars and such. But curiously enough, it works. This ever-growing collection of 8-bit characters is the brainchild of young UK artist A.Mulli (aka Adam Mulligan). A.Mulli’s low-res portraits pay homage to vintage arcade games like Street Fighter and Donkey Kong, imagining current hip-hop artists and rappers and other famous figures through the lens of a 1980s arcade character. Below are a few of our favorites. Keep ‘em coming, A.Mulli!

Via Instagram

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