Archives for category: Posters

Posters are some of our favorite, yet challenging, projects. Poster design is a marriage between visual aesthetic and the delivery of information, between textual and graphical elements… the very fundamentals of graphic design. It should come as no surprise, then, that an institution as important and influential as the New York Film Festival places great emphasis on this visual embodiment of its annual event. Festival organizers manage to recruit some truly respected artists and photographers year after year for its remarkable posters. Below is just a sampling, starting with this year’s by renowned sculptor Richard Serra.

Via nytimes.com

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Having a close relationship with marketing at ESPN, we see (and create ourselves) lots of sports-related designs. We recently came across the work of a young Texas-based designer by the name of Nick Bascus. His growing portfolio as a whole has a very nice aesthetic, and he has a clear grasp of graphic design fundamentals like color and typography. But the work that really shines is Bascus’s series of low-polygon illustrations and posters featuring some current NBA stars. These killer designs hit all the right notes, from composition to color choices. Bascus could easily expand on this series with great success, and we honestly hope to see his work on the pages of ESPN The Magazine (nudge, nudge… @espnmag) someday soon.

Via nickbascus.com

Our penchant for serial works never diminishes. There’s just something about the natural order of things that is so satisfying. Glasgow-based illustrator/designer Jack Daly taps into that systemization while exploring his love of illustration, typography, and travel with his aptly titled Wanderlust Alphabet. And we have to say, the results, so far, are pretty great. It goes without saying that Daly is a terrific artist, and his adept use of color and sense of composition really make each of these pieces sing. Having just tackled the very beginning of the alphabet so far, Daly differentiates each letter/city with signature landmarks, architecture, local customs, etc. We are really taken with Daly’s style and cannot wait to see this alphabet grow. The possibilities are endless! In the meantime, prints available here.

Via Behance and Instagram

When done well, reimagining movie posters (here and here and here) never gets old. Movie poster design presents a unique challenge to designers… it’s usually one of the first representations of a movie people see, so there’s a tall order to embody an often complex story with a single image. French designer and illustrator Flore Maquin is clearly up to that challenge. Maquin has a knack for designing movie posters extraordinarily well. We love her bold style, which is evident throughout her pieces. And she has a clear appreciation for typography. But it’s her genuine esteem for cinema that really shines through here. These creations feel like a labor of love, and that’s what makes them truly special. Well done.

Via flore-maquin.com

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It’s true that we’ve seen our fair share of movie posters through the years (here, here and here), but nothing quite like these. Manchester, UK-based designer/photographer/poster artist Jordan Bolton doesn’t rely on highly stylized shots from the film, or even the film’s actors. No effects-laden titles or much typography to speak of at all. Instead, for his Objects series, Bolton meticulously arranges prop elements from each film, paying careful attention to color palettes and composition to relay the film’s themes. For his Rooms series, Bolton applies that same attention to detail, focusing instead on recreating floor plans from keys scenes in the films. We cannot imagine how much close watching of these films Bolton does to be able to create these works. This is a true cinephile’s dream, and lucky for them Bolton sells prints here and here.

Via Tumblr and Facebook

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Tourism marketing is not something that we think of as terribly design-y. We just assume the process involves input from many people and interests, and therefor gets boiled way down from the designer’s original vision. But in the case of a Smoky Mountain Tourism campaign from several years back by Tennessee-based designer/creative director Shayne Ivy, that vision seems to have won out for the most part. We love Ivy’s style here, which lends itself really well to the concept and is beautifully executed. It’s even a bit reminiscent of other multiple exposure work (here and here), and most notably that by the great Olly Moss (here), which is certainly the highest compliment. It appears that Smoky Mountain Tourism has since shelved this campaign, but a resurrection may be in order… Ivy’s double exposure silhouette concept and treatments are far superior in our mind.

Via Behance

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You must admit, the “pumpkin spice” phenomenon that has taken over in recent years may be getting bit out of hand. We find premature pumpkin spicing particularly offensive (as does this guy)… we do not need pumpkin spiced anything in August! In any case, with the autumnal flavors creeping in, so do all the colors, textures and visuals of the season. We love food-related typography (here and here and here), so when UK designer Daniel Coleman pulled back the curtain on his process for this fittingly delicious take on pumpkin spiced typography, we were immediately intrigued. In his own words, Coleman discusses the project: “Esquires’ Pumpkin Spice Latte is the coffee chain’s hero product for Autumn 2016. We were asked to produce a key visual that captured the Esquires brand points of being artisan and handmade, whilst conveying the products ingredients as authentic (and not just a syrup shot). We designed a visual that captured those standpoints, with a particular focus on the authentic ingredients. By creating the type out of cinnamon, we could emphasise the flavour in the latte. To further set the mood, we added leaves and key ingredients around the typography. We experimented with various ingredients, looking at what gave the greatest clarity, colour and perception of flavour. Given the nature of the product we decided to work with cinnamon. The type was created by adjusting a font named ‘Beyond the Mountains’, making sure it had no complete bowls, eyes or loops. The next step was to laser cut it out onto card to create our stencil. The final result took a few experiments, using varying amounts of cinnamon to ensure the best detail and legibility.”

Via Behance

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On the heals of a dark and bizarre U.S. presidential debate the other night, and the seemingly endless campaign (thankfully) coming to a close in exactly four weeks, we thought it fitting to take a look at artwork with world leaders as subject matter. This is, of course, not regal portraiture hung in the Smithsonian in gilded frames. Israeli illustrator/designer/artist Amit Shimoni’s Hipstory series reimagines world leaders (wanna-be and actual), past and present, is hipsters from all walks of life, complete with piercings, facial hair, and all sorts of hairdos. We appreciate that Simoni’s work (for sale here) is free of political agenda, but rather casts these larger-than-life figures in a new, fresh light. Simply fun and a bit thought-provoking.

Via shimoni-illustration.com

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Fresh on the minds of Americans in this spirited election season, and following last night’s first presidential debate, Donald Trump has firmly cemented his Q Rating (whether favorable or not) into the public consciousness. It should come as no surprise, then, when artwork reflects current affairs (related posts here and here). We’ve discussed the awesome and thought-provoking work of Brazilian artist Butcher Billy not long ago (here), and thought it fitting to share his recent series featuring Trump. Butcher Billy’s skill is clear, and this homage to Belgian surrealist René Magritte, aptly titled Trump X Magritte: The Surrealist Series, draws on his keen sense of color and composition. As Butcher Billy says himself, “Because nothing is more surreal than The Donald.”

Via Behance

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We feel one of our fundamental responsibilities as designers is to employ our creative resources to help communicate and disseminate messages for public good, when possible. The right visuals can be powerful and in this instance, also quite beautiful. Commissioned by German environmental advocacy group Robin Wood, ad agency Grabarz & Partner collaborated with some clearly talented folks from Berlin to Bangkok to create this compelling series of advertisements illustrating the destruction of nature and wildlife around the world. Anchored by a clever concept, the execution here is spot-on. With the use of double exposure (other examples here and here), these compelling ads feature an animal and its natural habitat threatened by destruction. We love the composition and endless details of each piece. Just excellent all around.

Via Behance

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