Archives for category: Typography

When done well, reimagining movie posters (here and here and here) never gets old. Movie poster design presents a unique challenge to designers… it’s usually one of the first representations of a movie people see, so there’s a tall order to embody an often complex story with a single image. French designer and illustrator Flore Maquin is clearly up to that challenge. Maquin has a knack for designing movie posters extraordinarily well. We love her bold style, which is evident throughout her pieces. And she has a clear appreciation for typography. But it’s her genuine esteem for cinema that really shines through here. These creations feel like a labor of love, and that’s what makes them truly special. Well done.

Via flore-maquin.com

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There’s “plenty” to love about the work of Argentinian designer/art director (and co-founder of Buenos Aires-based motion studio Plenty, and now at the helm of Playful studio) Pablo Alfieri. His vibrant and playful portfolio is crammed full of lighthearted designs that are heavy on conceptually and compositionally sound foundations. Though we don’t know him personally, we can safely deduce that Alfieri’s irreverent sense of humor shines through his fantastic designs. Be sure to peruse his robust portfolio, but we will simply leave you with a New Year greeting (yes, made from bendy straws). Hope you love Alfieri’s work as much as we do. Oh, and happy 2017 too!

Via Behance

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We have a thing for series, as you might have noticed from many of our posts. And serial projects, in which artists produce artwork for a specified stretch of time, whether it be daily or weekly or monthly, are some of our favorites (here and here and here). We recently stumbled upon 36 Days of Type, a yearly open call inviting designers, illustrators and visual artists to share their view on the letters and numbers from our alphabet. Originally conceived by Barcelona-based designers Nina Sans and Rafa Goicoechea, this creative initiative has literally generated tens of thousands of entries, and is now in its third year. The work of Belgian designer Mario De Meyer caught our eye, and led us to a virtual treasure trove of typographic wonders. For the 2016 edition, De Meyer dove head first into his varying letterforms, producing a variety of beautiful designs, each worthy of standing on its own. De Meyer’s imagination seems boundless, integrating depth and a terrific sense of color into his compositions. We’re looking forward to seeing what De Meyer whips up for 2017!

Via Behance and 36daysoftype.com

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Tourism marketing is not something that we think of as terribly design-y. We just assume the process involves input from many people and interests, and therefor gets boiled way down from the designer’s original vision. But in the case of a Smoky Mountain Tourism campaign from several years back by Tennessee-based designer/creative director Shayne Ivy, that vision seems to have won out for the most part. We love Ivy’s style here, which lends itself really well to the concept and is beautifully executed. It’s even a bit reminiscent of other multiple exposure work (here and here), and most notably that by the great Olly Moss (here), which is certainly the highest compliment. It appears that Smoky Mountain Tourism has since shelved this campaign, but a resurrection may be in order… Ivy’s double exposure silhouette concept and treatments are far superior in our mind.

Via Behance

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We are thrilled to announce that the Barbour collection of awards has seen significant growth with the addition of several prestigious recognitions.

See live announcement with links here

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On this Election Day, we bring you some of our favorite works inspired by this historic election season. In order: Boston-based artist and collage master Molly Scannell; Brooklyn-based artist and educator David Hollier; Nashville-based artist and sculptor Herb Williams (previous posts here and here); Brazilian artist Butcher Billy (previous post here); Nashville-based (Rochester-born) painter Kristin Llamas. Politics as the subject of art has never been more prevalent. Whether it be the polarizing nature of this particular presidential election, or the reach of social media (probably both, actually), talented artists from all over the country and world have been churning our artwork inspired by this moment in history. Let’s just hope everyone is as energized to vote. Go vote!

Via Instagram, Instagram, Flickr, Behance and kllamas.com

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We love alphabet-based typography work (here and here), and artwork from everyday objects (here and here), so we are naturally drawn to this series, STRUCTURE x Type, by Indian design student Rigved Sathe. With form and structure in mind, Sathe created each individual letter from an object (or objects) corresponding to the letter. We love his use of subtle details, from the ghosted letter in the background, to the objects very subtly peeking in from all sides of the perimeter. Sathe has a terrific sense of composition, and his letterforms are quite unique. It’s amazing how typographic explorations of the alphabet itself never get old, and we’re very fond of this talented student’s take.

Via Behance

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Graffiti by its very nature changes the appearance of the surface on which it is displayed. But what happens when the “graffiti” itself continually changes as well? Delhi, India-based graffiti artist Daku (which literally means “bandit” or “dacoit” in Hindi… clearly a reference to the outlaw nature of graffiti art itself) explores this concept with his absolutely brilliant piece Time Changes Everything. Technically more public art than graffiti, Daku worked with St+art India Foundation, a non-profit organization that works on art projects in public spaces with accessibility of art as the main goal. Daku’s innovative work is basically a typographic sundial, where thoughtfully chosen words associated with change over the passage of time cast a shadow on a building’s facade by way of sunlight. From conception to execution, we are absolutely taken with this project. Mystery surrounding Daku’s actual identity may be part of his allure, but his overwhelming talent is crystal clear.

Via st-artindia.org and Instagram (daku156 and startindia)

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You must admit, the “pumpkin spice” phenomenon that has taken over in recent years may be getting bit out of hand. We find premature pumpkin spicing particularly offensive (as does this guy)… we do not need pumpkin spiced anything in August! In any case, with the autumnal flavors creeping in, so do all the colors, textures and visuals of the season. We love food-related typography (here and here and here), so when UK designer Daniel Coleman pulled back the curtain on his process for this fittingly delicious take on pumpkin spiced typography, we were immediately intrigued. In his own words, Coleman discusses the project: “Esquires’ Pumpkin Spice Latte is the coffee chain’s hero product for Autumn 2016. We were asked to produce a key visual that captured the Esquires brand points of being artisan and handmade, whilst conveying the products ingredients as authentic (and not just a syrup shot). We designed a visual that captured those standpoints, with a particular focus on the authentic ingredients. By creating the type out of cinnamon, we could emphasise the flavour in the latte. To further set the mood, we added leaves and key ingredients around the typography. We experimented with various ingredients, looking at what gave the greatest clarity, colour and perception of flavour. Given the nature of the product we decided to work with cinnamon. The type was created by adjusting a font named ‘Beyond the Mountains’, making sure it had no complete bowls, eyes or loops. The next step was to laser cut it out onto card to create our stencil. The final result took a few experiments, using varying amounts of cinnamon to ensure the best detail and legibility.”

Via Behance

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Some “tree huggers” may view paper art (here and here and here) as a gratuitous use of precious paper. But Spanish paper artist Malena Valcárcel may just have found a way to please art lovers and environmentalists alike. Valcárcel “upcycles” discarded or recycled books into quite beautiful sculptures. She is astoundingly self-taught, and her work is intricate and delicate in a way that serves the fine print of her chosen medium (printed matter) really well. She even utilizes lighting in some of her pieces, which adds an entirely new magical dimension. In her own words, “My main inspirations come from nature and everyday life, and I often return to certain ideas again and again. Flowers, trees, butterflies, houses, clouds … without forgetting the sea, really fascinate me. Turning books into sculptures, cutting and shaping paper into different shapes or abstract forms never ceases to amaze me, and when the work is finished, just contemplating it brings a smile to my face. Making things has always been incredibly important to me and it is often an amazing release to get it out of my system. It’s a joy to hunt for things for my work…the lost, found and forgotten all have places in what I make. Most of my pieces use recycled materials, not only as an ethical statement, but I believe they add more authenticity and charm.” Charming, indeed.

Via Behance and Etsy

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