We’ve looked at double exposure photography many times before (here and here and here), but we’ve never seen analog work quite like this arresting series, Jarred & Displaced, by Finnish photographer Christoffer Relander. We often marvel at artists who choose more traditional or “old school” methods of art making, which is the case with Relander’s striking photos here. Rather than capturing his photos digitally, then quickly bringing them into Photoshop for manipulation, Relander takes to the dark room to work his magic. While each composite is brilliant by its own merits, Relander’s process somehow makes his work that much more precious. As if pouring his heart into these very personal photographs was not enough, Relander also collaborated with fellow Finnish photographer and filmmaker Anders Lönnfeldt on a simply exquisite short film about this project, which is a true work of art in and of itself. In his own words, Relander discusses this mysteriously beautiful ongoing project: “For over a year now I’ve been collecting landscapes in jars using analog double exposures—in this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, in the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.”
With the proliferation of digital photography, pared with editing software like Photoshop, photo retouching is basically the norm these days. There has certainly been some controversy (good example here) surrounding the practice, especially when it comes to the issue of misrepresentation. Hungarian photographer/artist Flora Borsi specializes in digital manipulation, but with surprising effect that can even be described as unnerving. Turning retouching on its head, with her project Stockify, Borsi’s work clearly finds inspiration from legendary surrealist painters that came before her, most notably Picasso and Dali. Borsi brings the fundamentals of surrealist artwork, particularly unexpected juxtapositions, to the digital age with this arresting series. In her own words, “In this project I’ve been analyzing some fashion portraits, how perfect they are. So I made the opposite of retouching, somehow I distouched these pictures of perfect models. This project is connected to surrealist painters point of view: beauty wasn’t enough to give me interest. I love imperfections as much as I love surrealism. These pictures are my little monsters, no one wants to look like them, because they are totally unique.”
The work of French sculptor Bruno Catalano is almost like an optical illusion. This series of arresting bronze sculptures depicts travelers, as exhibited by the luggage they are holding, and look of purpose, heading toward some unknown destination. But what is really remarkable about these pieces is what you can not see… the missing parts. Catalano creates these large figures with large (vital) chunks missing, which makes for truly intriguing work. In his own words (in loose translation): “It is no longer a man’s world, but the man in the world, yet full of culture but became brittle at the immensity. His quest will not be without damage. Man defragmented destabilized, stripped of his marks, he walks to his salvation as well as to saperte. Everything will now have reinvented. This traveler escapes from himself, to meet his unknown land.” Incredible, thought-provoking work.
Via brunocatalano.com and Facebook