We’ve looked at double exposure photography many times before (here and here and here), but we’ve never seen analog work quite like this arresting series, Jarred & Displaced, by Finnish photographer Christoffer Relander. We often marvel at artists who choose more traditional or “old school” methods of art making, which is the case with Relander’s striking photos here. Rather than capturing his photos digitally, then quickly bringing them into Photoshop for manipulation, Relander takes to the dark room to work his magic. While each composite is brilliant by its own merits, Relander’s process somehow makes his work that much more precious. As if pouring his heart into these very personal photographs was not enough, Relander also collaborated with fellow Finnish photographer and filmmaker Anders Lönnfeldt on a simply exquisite short film about this project, which is a true work of art in and of itself. In his own words, Relander discusses this mysteriously beautiful ongoing project: “For over a year now I’ve been collecting landscapes in jars using analog double exposures—in this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, in the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.”
We’ve seen art created from a wide variety of media, but nothing quite like this. As a matter of fact, if you had to guess how these were created just by looking at them, you’d probably have a hard time figuring it out. Relying on little more than brown packing tape, an Xacto and the filtering of light behind a translucent surface, Amsterdam-based artist Max Zorn’s work is awe-inspiring. The nuance in shading he achieves by layering tape is astounding all on its own. Never mind Zorn’s ability to manipulate the tape so intricately. It’s interesting how these works, composed of such an unexpected and artless material, are so beautiful. Zorn clearly has a penchant for the past, as indicated by his choice of subjects for the majority of his work. Interestingly, Zorn’s fondness for packing tape began as street art, as he describes in his own words: “There’s a lot of great street art by day, but it disappears after dark. I wanted to come up with urban art that uses nighttime as a setting, and there was nothing more inviting than the street lamps in Amsterdam. In the beginning I used packing tape to fill in larger sections of my marker drawings. Once I hung them on street lamps, the light’s effect opened up new ideas with ditching markers and just using tape.”
Via maxzorn.com and YouTube
Some “tree huggers” may view paper art (here and here and here) as a gratuitous use of precious paper. But Spanish paper artist Malena Valcárcel may just have found a way to please art lovers and environmentalists alike. Valcárcel “upcycles” discarded or recycled books into quite beautiful sculptures. She is astoundingly self-taught, and her work is intricate and delicate in a way that serves the fine print of her chosen medium (printed matter) really well. She even utilizes lighting in some of her pieces, which adds an entirely new magical dimension. In her own words, “My main inspirations come from nature and everyday life, and I often return to certain ideas again and again. Flowers, trees, butterflies, houses, clouds … without forgetting the sea, really fascinate me. Turning books into sculptures, cutting and shaping paper into different shapes or abstract forms never ceases to amaze me, and when the work is finished, just contemplating it brings a smile to my face. Making things has always been incredibly important to me and it is often an amazing release to get it out of my system. It’s a joy to hunt for things for my work…the lost, found and forgotten all have places in what I make. Most of my pieces use recycled materials, not only as an ethical statement, but I believe they add more authenticity and charm.” Charming, indeed.
Via Behance and Etsy
Upon quick initial inspection, it’s hard to tell what medium New York artist/photographer Sam Kaplan is working with. If you guessed sticks of chewing gum, you’d be right. Yes, these colorful, intricate, quite beautiful structures in the series he aptly calls Unwrapped are made of gum. We are big fans of art made from everyday objects (here and here and here), and Kaplan’s work fits nicely into that niche, but with a certain level of sophistication that really transforms the objects. We credit this to Kaplan’s superb implementation, not only by way of his thoughtful architectural prowess, but his masterful compositions and impeccable photography skills, which elevate each piece well beyond ordinary. This series would not be what it is in the hands of a less capable artist… we applaud Kaplan for his creative thinking and brilliant execution.
Via samkaplan.com and Instagram