We’ve looked at double exposure photography many times before (here and here and here), but we’ve never seen analog work quite like this arresting series, Jarred & Displaced, by Finnish photographer Christoffer Relander. We often marvel at artists who choose more traditional or “old school” methods of art making, which is the case with Relander’s striking photos here. Rather than capturing his photos digitally, then quickly bringing them into Photoshop for manipulation, Relander takes to the dark room to work his magic. While each composite is brilliant by its own merits, Relander’s process somehow makes his work that much more precious. As if pouring his heart into these very personal photographs was not enough, Relander also collaborated with fellow Finnish photographer and filmmaker Anders Lönnfeldt on a simply exquisite short film about this project, which is a true work of art in and of itself. In his own words, Relander discusses this mysteriously beautiful ongoing project: “For over a year now I’ve been collecting landscapes in jars using analog double exposures—in this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, in the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.”
Graffiti by its very nature changes the appearance of the surface on which it is displayed. But what happens when the “graffiti” itself continually changes as well? Delhi, India-based graffiti artist Daku (which literally means “bandit” or “dacoit” in Hindi… clearly a reference to the outlaw nature of graffiti art itself) explores this concept with his absolutely brilliant piece Time Changes Everything. Technically more public art than graffiti, Daku worked with St+art India Foundation, a non-profit organization that works on art projects in public spaces with accessibility of art as the main goal. Daku’s innovative work is basically a typographic sundial, where thoughtfully chosen words associated with change over the passage of time cast a shadow on a building’s facade by way of sunlight. From conception to execution, we are absolutely taken with this project. Mystery surrounding Daku’s actual identity may be part of his allure, but his overwhelming talent is crystal clear.
Via st-artindia.org and Instagram (daku156 and startindia)
We’ve featured California-based contemporary artist Andrew Myers before (here), but his awesome work deserves a revisit. Myers amalgamates sculpture and portraiture in some really intriguing ways. Whether intentional or not, on some level Myers’ work bears some resemblance (at least conceptually) to that of the great Chuck Close. Rather than splotchy “pixels” of paint, Myers’ work is comprised of screws (yes, as in something you’d get from a hardware store). He painstakingly drives thousands of screws by hand (ranging from a few thousand to over 10,000) at various depths into his “canvas”, then paints over each screw head to create these brilliant works, that in the end are basically three dimensional sculptures. These stunning portraits are engaging viewed from near or far, but as one gets closer, it’s clear that Myers spends some serious time creating these works. He has an obvious love for working with his hands and clearly knows his way around a tool bench… hardware seems to be a common theme in all of his work, from these aforementioned screws to steel rods and even automotive paint. You will see in the video below, Myers has the hands of a carpenter, and we can see why. Tremendous, tactile work… we absolutely love it.
[vimeo 166149898 w=640 h=360]
Upon quick initial inspection, it’s hard to tell what medium New York artist/photographer Sam Kaplan is working with. If you guessed sticks of chewing gum, you’d be right. Yes, these colorful, intricate, quite beautiful structures in the series he aptly calls Unwrapped are made of gum. We are big fans of art made from everyday objects (here and here and here), and Kaplan’s work fits nicely into that niche, but with a certain level of sophistication that really transforms the objects. We credit this to Kaplan’s superb implementation, not only by way of his thoughtful architectural prowess, but his masterful compositions and impeccable photography skills, which elevate each piece well beyond ordinary. This series would not be what it is in the hands of a less capable artist… we applaud Kaplan for his creative thinking and brilliant execution.
Via samkaplan.com and Instagram