Archives for posts with tag: Create Upstate

It’s been a week now, and we’re still stimulated by our experience at Create Upstate (related posts here, here, here and here). One unexpectedly enlightening address, Anatomy of a Maker, was given by Dora Drimalas, Principal of San Francisco-based Hybrid Design. Drimalas, along with her husband Brian Flynn, is at the helm of this full-service creative agency. Not many firms can tout a client list as impressive as Hybrid’s: Nike, Disney, Apple, Microsoft, Sony and Yahoo, to name a few. One might assume with such corporate powerhouse clientele, the leadership at Hybrid would be solely focused on churning out work at a breakneck pace to meet countless and differing demands. While client needs are certain a priority at Hybrid, Drimalas and Flynn seem to have a distinct passion for the timeless craft of design. This creative spirit doesn’t necessarily oppose a frame of mind needed to manage corporate demands, but certainly bucks a stereotype. When global paper manufacturer Mohawk approached Hybrid a couple years ago to reevaluate their perspective on paper in an increasingly digital world, Drimalas and company drew from their personal enthusiasm, philosophy and high regard for the heritage of craftsmanship. With that partnership, Mohawk Maker Quarterly was born. It’s much more than an indulgent paper promotion, it’s a publication with real substance. Drimalas spoke to the content within the latest issue (No. 6) with great fervor, explaining that the relatively recent dominance and ephemeral nature of digital communication positions print communication, like many other time-honored aspects of art and culture, at an elevated level. With a swing of the cultural pendulum, printers and designers are once again craftspeople, reminiscent of the Arts and Crafts movement over a century ago. It’s what Drimalas referred to as Arts and Crafts 2.0. The morsals of food for thought that Drimalas posed are too numerous to mention here. We were inspired not only by the content of Drimalas’s discourse, but also by the flawless design and printing of the Maker publication. Contact your paper rep if you do not have one of these in your hands.

Via hybrid-design.com and mohawkconnects.com

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Balancing work and family is an issue close to our hearts. The culture at Barbour fosters this balance brilliantly, so we listened intently when Amanda Altman of Rochester-based A3 Design took the stage at Create Upstate (see related posts here, here and here) last week. Her speech, entitled Mind My Own Business, explored the ins and outs of Altman’s experiences of not only running, but also refocusing and repositioning, a design studio with her husband, Alan. And all while juggling the demands of marriage and family. We were taken with Altman’s sincerity and candor on a subject that’s not often brought to the forefront. If her articulation was any indication, Altman could honestly have a second career as a life coach for creatives. If we had to choose a highlight, this frank pearl of wisdom pretty much sums it up: “Do what you love and you’ll never work a day in your life… bullshit!”

Altman made a smart choice to show “pretty pictures” of A3’s outstanding body of work while speaking (scroll down for a sampling). Needless to say, the Altmans seem to be balancing masterfully. Really well done.

Via a3-design.com

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In keeping with our (hopefully) weeklong theme of Create Upstate 2015 (other posts here and here), we turn the spotlight on fellow Rochester-based designer (and educator/writer) Mitch Goldstein. Those behind the planning of Create Upstate clearly made a deliberate decision to have Goldstein kick off the main event. Goldstein is the perfect blend of adept designer and engaging speaker, and his talk about The Habit of Making got us charged up right out of the box. It almost felt like church for designers, and Goldstein was giving a homily. In essence, Goldstein discussed his habit of making for the sake of making, and how it has made him a better designer. This daily 30-minute creative exercise, which he and his wife Anne Jordan call “inside walking”, has given way to some pretty impressive work (below and here). Goldstein stressed the importance of letting go, and not worrying about making something “good” or even “finished”, but just focus on the making part. We are not really doing Goldstein’s sermon any justice here, just know that this is sage advice that we hope to get into the habit of following. Be sure to scroll down for products from Goldstein’s “walks”, and a sampling of his superb client work, some of which originated directly from said walks.

Via mitchgoldstein.com and Tumblr

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Continuing the theme of our fantastic experience at Create Upstate last week in Syracuse (previous post here), we’d like to introduce you to Curtis Canham of CSA Creative Studio. Canham is an art director/designer/educator based in the Albany area with an impressive and diverse portfolio, from sophisticated packaging to illustration-driven infographics to consumer-facing web design. Along with running a full service design studio, Canham also finds the time to educate the next generation of designers as a design professor at The Center for Art and Design at The College of Saint Rose in Albany. With all of this important work, Canham, believe it or not, is also working on publishing a fundamental typography book. Busy guy, indeed. Last week, Canham ran a table in the marketplace at Create Upstate extolling the virtues of a-holes that quickly caught our attention. A-holes? What the what!? Canham drew us in with his impassioned discourse about his forthcoming book, A-holes: A Type Book. He enlightened us on such things as the anatomy of a-holes, historic a-holes, famous a-holes. and families of a-holes. All of this perceived potty talk may elicit gasps from those who don’t know any better. But being the typography nerds that we are, we, of course, understand and appreciate the double entendre. Aside from the obvious, an a-hole is also the negative space, or counter, within the “A” characters. Canham’s book taps right into a brand of humor we Barbour folk love. With only 5 days left, Canham is in the home stretch of a Kickstarter campaign to fund a first printing of his 130-page book. Don’t be an a-hole… pledge a few bucks, please.

Via csacreativestudio.com and Kickstarter

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Gabe was particularly taken with all of this, and his name was fittingly drawn for an A-hole t-shirt at Create Upstate! In his own words, “you are what you wear.” Bahahahahaha!

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A couple members of the Barbour team had the honor of witnessing a speaking engagement by the incomparable Dana Tanamachi at Create Upstate in Syracuse last week. The event itself was terrific, from the impressive venue (great food, btw), awesome vendors, and stellar lineup of speakers. One highlight was undoubtedly the inspirational work and philosophy of Tanamachi. Honestly, we’re not saying anything new here, just bowing down, as most who are exposed to her transcendent work tend to do. Texas-bred, Brooklyn-based Tanamachi, whose lettering work is quite ubiquitous (you’ve probably seen it, or a rip-off of it, and may not have realized it was hers), seems quite gracious, humble, passionate and sincere when discussing her craft. She’s not some Brooklyn hipster who is too cool for school. Her tremendous talents seemed to have emerged over time, and her rise in the design world happened organically, which we truly admire. Tanamachi is a rock star among our peers, and we are just happy to have spent an engaging hour in her presence. Here’s a small sampling of her formidable body of work… prepare to drool.

Via tanamachistudio.com

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