Archives for posts with tag: Crisis

It is said that art is often an honest reflection of societal issues at large. History shows that for centuries art has been a sort of barometer, documenting larger issues through the lens of the artist. This certainly holds true for the work of Italian artist Alessandro Rabatti. His series Facebank serves as commentary for the very uncertain financial state of the world today, with a humorous bent, of course. Rabatti alters iconic faces on currency (related posts here and here and here) from around the world, “disguising” them as fictional superheroes. Despite the seemingly fun nature of these pieces, Rabatti’s intent and message is likely much deeper. For one, by altering the faces of these historical figures to look like familiar comic book characters with a rich (albeit fictional) history of their own, Rabatti remarks on their economic and political status, looking to them as possible “saviors” of the global economic crisis. There is an implied trust in these figures, both real and fictional, so the dialogue Rabatti initiates with this series could really go on and on. Oh, and these works are just plain cool looking. From conception to execution, we’d say Rabatti has creative super powers of his own.

Via alessandrorabatti.com

rabatti-01 rabatti-02 rabatti-03 rabatti-04 rabatti-05 rabatti-06 rabatti-07 rabatti-08 rabatti-09 rabatti-10 rabatti-11 rabatti-12 rabatti-13 rabatti-14

Advertisements

Given the somber mood surrounding all things politics and money in Europe, particularly Greece, this installation street art, fittingly titled “Crisis”, is especially relevant. Conceived and created by Madrid-based artist SpY, and installed in a central neighborhood in the city of Bilbao, the piece consists of 1000€ (almost $2,000) in 2 cent coins making up the word “CRISIS” on an outdoor wall. Not totally surprising, passersby helped themselves to the money, and all the coins disappeared in less than 24 hours. In some ways, that feels like blatant defacing of public art, but in other ways, that was likely expected and part of the point to begin with. SpY seems very much in touch with the political climate around him, and we love his out-of-the-box creativity. There’s good reason he’s been making such relevant urban art since the mid-eighties. In his own words, his work “involves the appropriation of urban elements through transformation or replication, commentary on urban reality, and the interference in its communicative codes…. a parenthesis in the automated inertia of the urban dweller. They are pinches of intention, hidden in a corner for whoever wants to let himself be surprised. Filled with equal parts of irony and positive humor, they appear to raise a smile, incite reflection, and to favor an enlightened conscience.”

Via spy-urbanart.com

SpY-01 SpY-02 SpY-03 SpY-04 SpY-05 SpY-06 SpY-07 SpY-08 SpY-09 SpY-10 SpY-11 SpY-12 SpY-13 SpY-14 SpY-15 SpY-16

%d bloggers like this: