Archives for posts with tag: design-envy

Oh, experimental typography… how we love thee. Perhaps it’s a case of design envy, or we’re just taken with pretty things in general, but when done well, experimental typography can stand on its own, out of context. This is definitely the case with the work of Hamburg, Germany-based motion designer/illustrator Alex Schlegel. Schlegel’s visual explorations on the typographic treatment for DirecTV’s Super Saturday Night lead to these impressive pieces. The forms, lighting, and textures achieved with Maxon Cinema 4D are not only purposeful but also beautiful. Designers can sometimes use such powerful tools gratuitously, but Schlegel’s steady hand and keen eye for composition and color elevate this client job for corporate giant AT&T to works of art.

Via Behance

A couple members of the Barbour team had the honor of witnessing a speaking engagement by the incomparable Dana Tanamachi at Create Upstate in Syracuse last week. The event itself was terrific, from the impressive venue (great food, btw), awesome vendors, and stellar lineup of speakers. One highlight was undoubtedly the inspirational work and philosophy of Tanamachi. Honestly, we’re not saying anything new here, just bowing down, as most who are exposed to her transcendent work tend to do. Texas-bred, Brooklyn-based Tanamachi, whose lettering work is quite ubiquitous (you’ve probably seen it, or a rip-off of it, and may not have realized it was hers), seems quite gracious, humble, passionate and sincere when discussing her craft. She’s not some Brooklyn hipster who is too cool for school. Her tremendous talents seemed to have emerged over time, and her rise in the design world happened organically, which we truly admire. Tanamachi is a rock star among our peers, and we are just happy to have spent an engaging hour in her presence. Here’s a small sampling of her formidable body of work… prepare to drool.

Via tanamachistudio.com

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Full disclosure: we’re having a moment of design envy. And for several reasons. The subject of our aspirational glares is Big Apple-based designer/illustrator José Guizar’s self-initiated, ongoing weekly project Windows of New York. First, we are truly inspired by “daily” projects. We admire the commitment of artists who hone their craft through some sort of consistent work, whether it be daily, weekly, monthly (for example, here and here and here). It truly is a creative exercise, to motivate one’s self to conjure creativity for the sake of it, and at regular intervals, no less. Second, with distractions aplenty, from our Apple i-devices, to social media, to everyday hustle and bustle, being mindful enough to stop and appreciate architectural details around us is easier said than done. Such inquisitiveness and passion are what drives Guizar. Finally, his incredible illustration skills really make this project what it is. In the hands of a less-skilled artist, this undertaking wouldn’t be quite so notable. But Guizar’s spare, yet detailed design approach is perfectly engaging. From his flat style, to his terrific sense of color and composition, to his attention to typography, Guizar’s growing collection of diverse architectural specimens reflects his personal spirit of curiosity and exploration, and should be cherished and admired by designers for quite sometime. Hats off to Guizar for a well-conceived and expertly executed personal project.

Via windowsofnewyork.com

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Creativity manifests itself in different ways. We certainly appreciate well-planned, laborious works of art. But we also love seemingly effortless, spontaneous pieces that sort of continuously flow. German-born, New York-based Christoph Niemann is a prolific illustrator/artist, who bills himself as a visual story teller. And that moniker could not be more fitting. You may be familiar with his work, often featured in The New York Times Magazine, Time, The New Yorker, Wired, and others, as well as authoring a number of books. For his weekly Sunday Sketches series, Niemann employs mixed media techniques in some pretty terrific ways, then generously posts them to Instagram for general consumption. His use if everyday objects as part of his sketches is both clever and playful. Niemann seems to see the world through a different lens, creating design-envy worthy work with each piece. We’re definitely going to bookmark this and check back often. Well done.

Via Instagram and christophniemann.com

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