Archives for posts with tag: digital

Welp, UK designer/illustrator/artist Christopher LaBrooy has done it again. His mad CGI skills continue to amaze us. LaBrooy is a master manipulator, creating surreal digital compositions that defy logic and reason (previous posts here and here). Aptly titled simply 911, and set in what appears to be picturesque Palm Springs, LaBrooy pays homage to the iconic 1973 Porsche 911 Carrera RS in this incredible series. What we love most about LaBrooy’s work is that he elevates his adeptness in Maxon Cinema 4D beyond gratuitous rendering for the sake of rendering, to thoughtful and awe-inspiring artwork. Gearheads may shudder at the sight of a dozen otherwise pristine Porches partially submerged in a pool, but that’s precisely what LaBrooy seems to strive for: an emotional response to his digital work. As far as we’re concerned, mission accomplished (again).

Via chrislabrooy.com

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Exercises in typographic and mosaic compositions bring us back to our early studies as designers. Not because they are novice or effortless, but because they touch on the fundamentals of good design. Italian artist/designer known as Antonio Village9991 is quite adept at both, as exhibited by this sampling of his impressive body of work. For almost twenty years, Antonio has been creating these digital compositions that are much more difficult than they may look. It takes an acute sense of space and a savvy discernment of color to engineer these beautifully intricate pieces. Antonio’s work lends itself to multiple viewing distances… truly incredible details up close, with the larger image emerging the further away you move. Some may rely on complex algorithms to accomplish this, but what makes Antonio’s work so special is that it comes from his creative thought processes and keen attention to detail. One word: wow!

More mosaics here and here and here.

Via village9991.it and Behance

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Australian artist Guy Whitby, otherwise known as WorkByKnight (or WBK) has a terrific eye for mosaic compositions, which (and we know from experience) is much more difficult and time consuming than it looks. These pixelated portraits are deceivingly complex, and serve as visual commentary for the global shift from analog to digital. Each piece is made up of a variety of computer keys, along with analog and digital buttons. WBK meticulously places each button and key to serve as a pixel, if you will. Though subjects vary, from celebrities and artists to musicians and political figures, to his most recent “Old School Tech” series of still life technological treasures, the quality of this remarkable work never falters. Truly amazing how strategic color choice and placement make otherwise analogous objects and shapes into something cohesive, and more importantly, recognizable.

More mosaic posts here and here and here.

Via Behance

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New Jersey-based multidisciplinary designer and illustrator Michael Molloy has an incredible archive of illustrations that showcase not only his freehand skills, but also his Photoshop proficiency. What could easily turn into a gratuitous marriage of pencil and Photoshop, is actually really well balanced in Molloy’s care. His excellent drawing skills are only punctuated by the touch of digital flavor. In Malloy’s own words, “[my illustration work] speaks to the type of work I love the best. I enjoy working analog as much as possible, and then experiment with mixing in digital medium.” Well done.

Via madebymolloy.com and Facebook

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