Archives for posts with tag: hand-lettering

So, we stumbled upon this viral video recently, and were in complete awe. You will be too, if you haven’t seen it already, guaranteed. It made us ponder the irony of being so taken with corporate logos carefully drawn by hand, even though that’s exactly how they were developed in the not so distant past. It’s no wonder this video has circulated so rapidly… we live and design in a time when doing things without the use of a computer is such a novelty. Armed with little more than some calligraphy pens, London-based Seb Lester, a trained graphic designer with a penchant for calligraphy, miraculously recreates distinct and recognizable complex letterforms with complete ease and surprising accuracy. Sit back snd marvel, as these logos seem to just emerge from his steady hand. We bow down to Lester and his tremendous talents.

Compilation video below, plus a few of our other favorites follow. Can you guess what’s about to materialize as he starts each logo?

Keep up with Lester and all of his hand drawn logos on his various social media channels: Instagram, Facebook, Vimeo, YouTube, Twitter

Via seblester.com and Vimeo

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More doodling.

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Harry Potter

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I doodle a lot.

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Latest doodle

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News doodle

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A couple members of the Barbour team had the honor of witnessing a speaking engagement by the incomparable Dana Tanamachi at Create Upstate in Syracuse last week. The event itself was terrific, from the impressive venue (great food, btw), awesome vendors, and stellar lineup of speakers. One highlight was undoubtedly the inspirational work and philosophy of Tanamachi. Honestly, we’re not saying anything new here, just bowing down, as most who are exposed to her transcendent work tend to do. Texas-bred, Brooklyn-based Tanamachi, whose lettering work is quite ubiquitous (you’ve probably seen it, or a rip-off of it, and may not have realized it was hers), seems quite gracious, humble, passionate and sincere when discussing her craft. She’s not some Brooklyn hipster who is too cool for school. Her tremendous talents seemed to have emerged over time, and her rise in the design world happened organically, which we truly admire. Tanamachi is a rock star among our peers, and we are just happy to have spent an engaging hour in her presence. Here’s a small sampling of her formidable body of work… prepare to drool.

Via tanamachistudio.com

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Given the abundance of fonts out there (many of which are often free), one would think that the tradition of lettering would be dead. But similar to the rise of vinyl in music these days, the opposite is actually true. Lettering is experiencing a sort of renaissance in the design community. Call it novelty or nostalgia, but there is something very special about lettering, especially in this era of (and we don’t particularly like this term) desktop publishing. Styles run the gamut, and we have an appreciation for the great variety of lettering work currently being done. We are particularly fond of London-based freelance digital letterer and illustrator Linzie Hunter. Her colorful, whimsical style has served an impressive list of clients very well. Those clients include New York Observer, Washington Post, Random House Publishing, Harper Collins, Scholastic, Hallmark, American Girl, Time Magazine, Wall Street Journal, Nike, and many more. Hunter’s work is really quite something… she has a distinct ability to make a heap of information engaging, and even beautiful. And her illustrations are fantastic too. What a talent!

Via linziehunter.co.uk

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