Archives for posts with tag: money

The beauty of the mosaic art form is how the experience changes based on the viewing distance. Wisconsin-bred, New York-based artist Kevin Champeny capitalizes on this dichotomy by creating custom hand cast urethane objects that comprise the resulting assemblage that complement the full meaning of each piece. Champeny’s work is not only visually impactful, but he drives his concepts further through these distinctive methods. Champeny explains in his own words: “I create a style of work that blurs the lines between photography, painting, and sculpting. Mosaics enable me to elicit the tension and stories between the sculpted and cast pixels and the overall image they compose. My art opens a conversation for the viewer. I want people to think about what these pieces mean to them and how their own experiences make sense of the choices I made when creating the work.”

More mosaic art here and here and here.

Via kevinchampeny.com

 

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It is said that art is often an honest reflection of societal issues at large. History shows that for centuries art has been a sort of barometer, documenting larger issues through the lens of the artist. This certainly holds true for the work of Italian artist Alessandro Rabatti. His series Facebank serves as commentary for the very uncertain financial state of the world today, with a humorous bent, of course. Rabatti alters iconic faces on currency (related posts here and here and here) from around the world, “disguising” them as fictional superheroes. Despite the seemingly fun nature of these pieces, Rabatti’s intent and message is likely much deeper. For one, by altering the faces of these historical figures to look like familiar comic book characters with a rich (albeit fictional) history of their own, Rabatti remarks on their economic and political status, looking to them as possible “saviors” of the global economic crisis. There is an implied trust in these figures, both real and fictional, so the dialogue Rabatti initiates with this series could really go on and on. Oh, and these works are just plain cool looking. From conception to execution, we’d say Rabatti has creative super powers of his own.

Via alessandrorabatti.com

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With financial matters on the minds of many around the world on the heals of our historic presidential election just one week ago, we thought it fitting to share this project by Georgian illustrator/designer Tatiana Trikoz. Commissioned by Swiss banking group Swissquote, Trikoz created these incredibly intricate currency portraits featuring some of the world’s most famous billionaires – Mark Zuckerberg, Richard Branson and Elon Musk. Trikoz seamlessly adheres to the look of the existing currency she aims to mimic… we are in awe of the stunning details. Perhaps our president-elect will commission her to imagine his likeness on U.S. currency in the near future? Crazier things have happened….

Via Behance

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Given the somber mood surrounding all things politics and money in Europe, particularly Greece, this installation street art, fittingly titled “Crisis”, is especially relevant. Conceived and created by Madrid-based artist SpY, and installed in a central neighborhood in the city of Bilbao, the piece consists of 1000€ (almost $2,000) in 2 cent coins making up the word “CRISIS” on an outdoor wall. Not totally surprising, passersby helped themselves to the money, and all the coins disappeared in less than 24 hours. In some ways, that feels like blatant defacing of public art, but in other ways, that was likely expected and part of the point to begin with. SpY seems very much in touch with the political climate around him, and we love his out-of-the-box creativity. There’s good reason he’s been making such relevant urban art since the mid-eighties. In his own words, his work “involves the appropriation of urban elements through transformation or replication, commentary on urban reality, and the interference in its communicative codes…. a parenthesis in the automated inertia of the urban dweller. They are pinches of intention, hidden in a corner for whoever wants to let himself be surprised. Filled with equal parts of irony and positive humor, they appear to raise a smile, incite reflection, and to favor an enlightened conscience.”

Via spy-urbanart.com

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When it comes to an art medium we can really sink our teeth into, food is near the top of our list. After all, few things bring people together like food. It’s relatable, familiar, often comforting, and let’s face it, essential to our very being. Philadelphia-based photographer Dominic Episcopo invites viewers to “Meat America” through this engaging and polarizing series of photographs of, well, meat — carved, molded, manipulated — to look like American icons. Episcopo describes the project as “an eye-opening and artery-closing tour of America’s spirit of entrepreneurship, rebellion and positivity.” From Elvis, to Lincoln, to the Liberty Bell as subjects, Episcopo’s carnivorous wit shines through. And his photography skills are not too shabby either. Patriotic protein aside, Episcopo’s sense of composition and lighting is stellar. A less skilled photographer would not have pulled this off so well. Episcopo’s book available here.

More food art here and here and here.

Via meatamerica.com

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Collage is often thought of as an amalgamation of different materials. But for Brooklyn-based artist Mark Wagner, his ongoing collage work is almost always comprised of a single material: one dollar bills. But to simply refer to what he creates as collages probably doesn’t do them justice. Wagner’s work is extremely intricate and meticulous; he gives purpose to the placement of each shred of currency. We don’t doubt that whatever the material, Wagner could compose a masterpiece beyond our wildest imagination. But part of the intrigue here is certainly the taboo nature of destroying dollar bills. In his own words, Wagner discusses his choice of material: “The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.”

Be sure to also check out the terrific process video below.

Via markwagnerinc.com

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The faces on U.S. bank notes are so ubiquitous that we barely notice them anymore. But San Francisco-based artist James Charles is intimately familiar with the intricacies of U.S. currency portraits. Charles is a mixed media artist with an array of talents, one of which is illustrative portraiture. By sort of a happy accident — he began drawing on dollar bills for fun… what he calls “self-amusement” — Charles altered presidents’ faces in all sorts of ways. Before long, he had an incredible series that continues to grow. His attention to detail is nothing short of incredible, even modifying the lettering along the bottom of the note with the title of each piece. The subject matter ranges, which is part of the brilliance of this series as a whole. Though he never explicitly states it, Charles seems to be using his art as commentary for how pop culture is such a driving force in American economics today.

Via 333portraits.com and shootinggallerysf.com

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