Alt Disney

Just as the title of this intriguing series (and cleverly named… “Alt Disney”) implies, UK artist/illustrator/designer Tom Ward brings some beloved Disney characters into an alternative view. Ward’s depictions are a bit askew, transporting familiar faces that have been with us for some 70 years into the present. We find it particularly interesting how the introduction of the ubiquitous smartphone changes everything in a few of these pieces. And even serves as social commentary, especially in the instance of Ward’s The Sword and the Stone piece where young Arthur has his nose in a phone, basically too engaged to be bothered with the sword. Really makes us think about our collective love affair with our phones, and about possible missed opportunities because of it. The point is, on the surface these pieces are fun, but there really is so much more. Hats off to Ward for striking that balance brilliantly.

More alternative Disney art here and here and here.

Via Instagram

HIPstory

On the heals of a dark and bizarre U.S. presidential debate the other night, and the seemingly endless campaign (thankfully) coming to a close in exactly four weeks, we thought it fitting to take a look at artwork with world leaders as subject matter. This is, of course, not regal portraiture hung in the Smithsonian in gilded frames. Israeli illustrator/designer/artist Amit Shimoni’s Hipstory series reimagines world leaders (wanna-be and actual), past and present, is hipsters from all walks of life, complete with piercings, facial hair, and all sorts of hairdos. We appreciate that Simoni’s work (for sale here) is free of political agenda, but rather casts these larger-than-life figures in a new, fresh light. Simply fun and a bit thought-provoking.

Via shimoni-illustration.com

Past Meets Present in the Photographs of Hendrik Kerstens

Sometimes to be original, you need to draw inspiration from the past, as contradictory as that sounds. Dutch photographer Hendrik Kerstens did just that with an arresting series with his daughter Paula as his subject. What began as capturing childhood moments morphed into fascinating photographs in the style of seventeenth century Dutch paintings… with a modern twist. Kerstens recalls, “One day Paula came back from horseback riding. She took off her cap and I was struck by the image of her hair held together by a hair-net. It reminded me of the portraits by the Dutch masters and I portrayed her in that fashion. After that I started to do more portraits in which I refer to the paintings of that era. The thing that fascinates me in particular is the way a seventeenth-century painting is seen as a surface which can be read as a description of everyday life as opposed to the paintings of the Italian renaissance, which usually tell a story. Northern European painting relies much more on craftsmanship and the perfect rendition of the subject. The use of light is instrumental in this.” As are Paula’s placid, if not austere, facial expressions… so reminiscent of the work of Johannes Vermeer and other Dutch masters. Kerstens’s outstanding work can be found in museums and galleries around the world, and has inspired tastemakers as diverse as Elton John and Alexander McQueen.

Conceptually reminiscent of the work of Steve Payne (here)

Via danzigergallery.com and Facebook