Archives for posts with tag: Time Magazine

A couple members of the Barbour team had the honor of witnessing a speaking engagement by the incomparable Dana Tanamachi at Create Upstate in Syracuse last week. The event itself was terrific, from the impressive venue (great food, btw), awesome vendors, and stellar lineup of speakers. One highlight was undoubtedly the inspirational work and philosophy of Tanamachi. Honestly, we’re not saying anything new here, just bowing down, as most who are exposed to her transcendent work tend to do. Texas-bred, Brooklyn-based Tanamachi, whose lettering work is quite ubiquitous (you’ve probably seen it, or a rip-off of it, and may not have realized it was hers), seems quite gracious, humble, passionate and sincere when discussing her craft. She’s not some Brooklyn hipster who is too cool for school. Her tremendous talents seemed to have emerged over time, and her rise in the design world happened organically, which we truly admire. Tanamachi is a rock star among our peers, and we are just happy to have spent an engaging hour in her presence. Here’s a small sampling of her formidable body of work… prepare to drool.

Via tanamachistudio.com

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When art and science collide, some pretty spectacular things can happen. Dutch visual artist Berndnaut Smilde applies a fascination with the complexities of duality (construction vs. deconstruction, inside vs. outside, etc.) to his work. Some of his most notable pieces involve literally bringing what is otherwise an outdoor phenomenon, clouds, indoors. And this makes for some pretty strikingly unfamiliar visuals. The ephemeral nature of this work is so powerful, existing for just a short time, and constantly changing (building up and falling apart) in the process. Smilde’s combination of smoke and moisture (and dramatic lighting) is an achievement in both visual art and science, even recognized by Time Magazine as one of the “Top Ten Inventions of 2012”. Be sure to check out the video at the bottom of this post to see Smilde’s clouds in motion.

More art and science marriages here and here and here.

Via berndnaut.nl and Vimeo

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Given the abundance of fonts out there (many of which are often free), one would think that the tradition of lettering would be dead. But similar to the rise of vinyl in music these days, the opposite is actually true. Lettering is experiencing a sort of renaissance in the design community. Call it novelty or nostalgia, but there is something very special about lettering, especially in this era of (and we don’t particularly like this term) desktop publishing. Styles run the gamut, and we have an appreciation for the great variety of lettering work currently being done. We are particularly fond of London-based freelance digital letterer and illustrator Linzie Hunter. Her colorful, whimsical style has served an impressive list of clients very well. Those clients include New York Observer, Washington Post, Random House Publishing, Harper Collins, Scholastic, Hallmark, American Girl, Time Magazine, Wall Street Journal, Nike, and many more. Hunter’s work is really quite something… she has a distinct ability to make a heap of information engaging, and even beautiful. And her illustrations are fantastic too. What a talent!

Via linziehunter.co.uk

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Quebec-based illustrator Sébastien Thibault has an impressive body of work. In addition to an aesthetically pleasing, bold, slightly grungy style, his conceptual approach is really smart. And this thoughtful mastery has attracted an outstanding client list, including Time Magazine, Wired Magazine, Boston Globe, Consumer Reports, and Readers Digest, among others.

Via sebastienthibault.com

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British designer Kyle Bean has an impressive body of work, never mind that he graduated from college just a few years ago. What is striking about his portfolio is the level of detail that seems to go into each project. Interesting concepts that are really well executed. Hats off to Bean. We look forward to witnessing the evolution of this impressive young designer.

Via kylebean.co.uk

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