Archives for category: Retro

You may recognize Perler beads from your childhood. or perhaps your children (or you) enjoy these tactile “pixels” today, whose novelty bucks the digital trend. One thing is for sure, these tiny fusible plastic beads have an appeal that transcends age and skill level. Romanian artist Claudiu Alexandru takes beading to a whole new level, having spent some 85 hours and 45,000 beads with little more than a pair of tweezers (and lots of patience) on his latest masterpiece. The result is quite something.

Via Facebook

In an effort to pay homage to some superb Italian design manifested widely through consumer goods, Italian-American designer Gianluca Gimini conceived this series of fictional co-branded sneakers. Looking at Gimini’s body of work, particularly this imaginative series, appropriately titled “Sneakered”, it’s clear that Gimini operates on a creative plane not easily defined. At a time when consumers (very broadly speaking) seem to be steeped in the marketing of nostalgia, Gimini capitalizes on that trend and also taps into a youth culture that holds footwear, specifically sneakers, in high regard. Think of it as an exercise in mashing up historical examples of excellent product design with a vehicle that has global youth appeal (sneakers). Brilliant.

Via Behance

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We have long commented on the convergence of history and art. They are intrinsically intertwined, reliant on one another in many ways. So when an artist turns the documentation and storytelling aspect of said junction on its head, we surely take notice. For his series The American Revolution Revolution, Denver-based artist Shawn Huckins masterfully juxtaposes early American portraiture with social media jargon. Thoughtfully conceptualized and brilliantly executed, Huckins’s incredible work succeeds on so many levels. And it’s also important to note that these are physical paintings, should Huckins’s artistic ability ever come into question. Huckins is a superb American artist who is clearly inspired by American Neo-Classical painters, as well as more contemporary Pop artists. In his own words, Huckins explains the series: “The American Revolution was conceived through an exchange of a few well-formed ideas communicated in person and by handwritten letters. Imagine what George & Co. could have done with the Internet. Or not. Technology influences how much we know and what we believe, as well as how quickly and intelligently we convey our ideas. But does how we communicate govern the value of what we communicate? The physical act of typing very fast on small devices has undeniably impacted spelling, grammar, and punctuation, encouraging a degree of illiteracy that has become the new social norm. As goes our grammatical literacy, do our social and cultural literacies follow?”

Via shawnhuckins.com

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When done well, reimagining movie posters (here and here and here) never gets old. Movie poster design presents a unique challenge to designers… it’s usually one of the first representations of a movie people see, so there’s a tall order to embody an often complex story with a single image. French designer and illustrator Flore Maquin is clearly up to that challenge. Maquin has a knack for designing movie posters extraordinarily well. We love her bold style, which is evident throughout her pieces. And she has a clear appreciation for typography. But it’s her genuine esteem for cinema that really shines through here. These creations feel like a labor of love, and that’s what makes them truly special. Well done.

Via flore-maquin.com

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Italian photographer Dan Bannino is a consummate storyteller with a particular penchant for still life and commercial photography. Much of his work could just as easily find a home on a gallery wall as in the pages of a mass market magazine, like National Geographic, Harper’s Bazaar, Elle, Cosmopolitan and many others. With his terrific Power and Food series, Bannino explores the eating habits of powerful and influential people from around the world. In our celebrity-obsessed culture any glimpse “behind the curtain,” so to speak, is valued. A look into the private lives of public figures, no matter how brief or inconsequential, makes us feel a little closer to them. Bannino’s series capitalizes on that curiosity, with his vibrant and arresting images. We particularly love his compositions and bold style. In his own words, Bannino states, “If you’re a fast food aficionado or a pizza freak, you have more in common with Mr. Donald J. Trump, and Pope Francis himself than you ever imagined. Check out some of the most unexpected food patterns of the world’s leaders, and you’ll never eat the same way again.”

Via danbannino.com

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We’ve looked at double exposure photography many times before (here and here and here), but we’ve never seen analog work quite like this arresting series, Jarred & Displaced, by Finnish photographer Christoffer Relander. We often marvel at artists who choose more traditional or “old school” methods of art making, which is the case with Relander’s striking photos here. Rather than capturing his photos digitally, then quickly bringing them into Photoshop for manipulation, Relander takes to the dark room to work his magic. While each composite is brilliant by its own merits, Relander’s process somehow makes his work that much more precious. As if pouring his heart into these very personal photographs was not enough, Relander also collaborated with fellow Finnish photographer and filmmaker Anders Lönnfeldt on a simply exquisite short film about this project, which is a true work of art in and of itself. In his own words, Relander discusses this mysteriously beautiful ongoing project: “For over a year now I’ve been collecting landscapes in jars using analog double exposures—in this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, in the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.”

Via christofferrelander.com

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There’s “plenty” to love about the work of Argentinian designer/art director (and co-founder of Buenos Aires-based motion studio Plenty, and now at the helm of Playful studio) Pablo Alfieri. His vibrant and playful portfolio is crammed full of lighthearted designs that are heavy on conceptually and compositionally sound foundations. Though we don’t know him personally, we can safely deduce that Alfieri’s irreverent sense of humor shines through his fantastic designs. Be sure to peruse his robust portfolio, but we will simply leave you with a New Year greeting (yes, made from bendy straws). Hope you love Alfieri’s work as much as we do. Oh, and happy 2017 too!

Via Behance

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It is said that art is often an honest reflection of societal issues at large. History shows that for centuries art has been a sort of barometer, documenting larger issues through the lens of the artist. This certainly holds true for the work of Italian artist Alessandro Rabatti. His series Facebank serves as commentary for the very uncertain financial state of the world today, with a humorous bent, of course. Rabatti alters iconic faces on currency (related posts here and here and here) from around the world, “disguising” them as fictional superheroes. Despite the seemingly fun nature of these pieces, Rabatti’s intent and message is likely much deeper. For one, by altering the faces of these historical figures to look like familiar comic book characters with a rich (albeit fictional) history of their own, Rabatti remarks on their economic and political status, looking to them as possible “saviors” of the global economic crisis. There is an implied trust in these figures, both real and fictional, so the dialogue Rabatti initiates with this series could really go on and on. Oh, and these works are just plain cool looking. From conception to execution, we’d say Rabatti has creative super powers of his own.

Via alessandrorabatti.com

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Welp, UK designer/illustrator/artist Christopher LaBrooy has done it again. His mad CGI skills continue to amaze us. LaBrooy is a master manipulator, creating surreal digital compositions that defy logic and reason (previous posts here and here). Aptly titled simply 911, and set in what appears to be picturesque Palm Springs, LaBrooy pays homage to the iconic 1973 Porsche 911 Carrera RS in this incredible series. What we love most about LaBrooy’s work is that he elevates his adeptness in Maxon Cinema 4D beyond gratuitous rendering for the sake of rendering, to thoughtful and awe-inspiring artwork. Gearheads may shudder at the sight of a dozen otherwise pristine Porches partially submerged in a pool, but that’s precisely what LaBrooy seems to strive for: an emotional response to his digital work. As far as we’re concerned, mission accomplished (again).

Via chrislabrooy.com

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One mint Porsche 911 Carrera RS #porsche #porsche911 #bendy #animation

A post shared by Chris Labrooy (@chrislabrooy) on

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It’s true that we’ve seen our fair share of movie posters through the years (here, here and here), but nothing quite like these. Manchester, UK-based designer/photographer/poster artist Jordan Bolton doesn’t rely on highly stylized shots from the film, or even the film’s actors. No effects-laden titles or much typography to speak of at all. Instead, for his Objects series, Bolton meticulously arranges prop elements from each film, paying careful attention to color palettes and composition to relay the film’s themes. For his Rooms series, Bolton applies that same attention to detail, focusing instead on recreating floor plans from keys scenes in the films. We cannot imagine how much close watching of these films Bolton does to be able to create these works. This is a true cinephile’s dream, and lucky for them Bolton sells prints here and here.

Via Tumblr and Facebook

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