It’s true that we’ve seen our fair share of movie posters through the years (here, here and here), but nothing quite like these. Manchester, UK-based designer/photographer/poster artist Jordan Bolton doesn’t rely on highly stylized shots from the film, or even the film’s actors. No effects-laden titles or much typography to speak of at all. Instead, for his Objects series, Bolton meticulously arranges prop elements from each film, paying careful attention to color palettes and composition to relay the film’s themes. For his Rooms series, Bolton applies that same attention to detail, focusing instead on recreating floor plans from keys scenes in the films. We cannot imagine how much close watching of these films Bolton does to be able to create these works. This is a true cinephile’s dream, and lucky for them Bolton sells prints here and here.
Via Tumblr and Facebook
We’ve seen art created from a wide variety of media, but nothing quite like this. As a matter of fact, if you had to guess how these were created just by looking at them, you’d probably have a hard time figuring it out. Relying on little more than brown packing tape, an Xacto and the filtering of light behind a translucent surface, Amsterdam-based artist Max Zorn’s work is awe-inspiring. The nuance in shading he achieves by layering tape is astounding all on its own. Never mind Zorn’s ability to manipulate the tape so intricately. It’s interesting how these works, composed of such an unexpected and artless material, are so beautiful. Zorn clearly has a penchant for the past, as indicated by his choice of subjects for the majority of his work. Interestingly, Zorn’s fondness for packing tape began as street art, as he describes in his own words: “There’s a lot of great street art by day, but it disappears after dark. I wanted to come up with urban art that uses nighttime as a setting, and there was nothing more inviting than the street lamps in Amsterdam. In the beginning I used packing tape to fill in larger sections of my marker drawings. Once I hung them on street lamps, the light’s effect opened up new ideas with ditching markers and just using tape.”
Via maxzorn.com and YouTube
Graffiti by its very nature changes the appearance of the surface on which it is displayed. But what happens when the “graffiti” itself continually changes as well? Delhi, India-based graffiti artist Daku (which literally means “bandit” or “dacoit” in Hindi… clearly a reference to the outlaw nature of graffiti art itself) explores this concept with his absolutely brilliant piece Time Changes Everything. Technically more public art than graffiti, Daku worked with St+art India Foundation, a non-profit organization that works on art projects in public spaces with accessibility of art as the main goal. Daku’s innovative work is basically a typographic sundial, where thoughtfully chosen words associated with change over the passage of time cast a shadow on a building’s facade by way of sunlight. From conception to execution, we are absolutely taken with this project. Mystery surrounding Daku’s actual identity may be part of his allure, but his overwhelming talent is crystal clear.
Via st-artindia.org and Instagram (daku156 and startindia)
Some “tree huggers” may view paper art (here and here and here) as a gratuitous use of precious paper. But Spanish paper artist Malena Valcárcel may just have found a way to please art lovers and environmentalists alike. Valcárcel “upcycles” discarded or recycled books into quite beautiful sculptures. She is astoundingly self-taught, and her work is intricate and delicate in a way that serves the fine print of her chosen medium (printed matter) really well. She even utilizes lighting in some of her pieces, which adds an entirely new magical dimension. In her own words, “My main inspirations come from nature and everyday life, and I often return to certain ideas again and again. Flowers, trees, butterflies, houses, clouds … without forgetting the sea, really fascinate me. Turning books into sculptures, cutting and shaping paper into different shapes or abstract forms never ceases to amaze me, and when the work is finished, just contemplating it brings a smile to my face. Making things has always been incredibly important to me and it is often an amazing release to get it out of my system. It’s a joy to hunt for things for my work…the lost, found and forgotten all have places in what I make. Most of my pieces use recycled materials, not only as an ethical statement, but I believe they add more authenticity and charm.” Charming, indeed.
Via Behance and Etsy