Archives for category: Architecture

Imagine a post-apocalyptic world where social media companies are no longer the powerhouses they are today, but rather crumbling relics from the past. That’s exactly what self-taught Romanian digital artist Andrei Lacatusu envisioned when conceiving his arresting series Social Decay. Not only is Lacatusu’s technical skill amazing, but we love the concept, which flies in the face of all we know to be true at this present moment. And that’s what makes this series so striking. These logos, including Facebook, Google, and Instagram, are slick, closely curated marks that sort of define the current era. So to see them dilapidated, weather-worn and abandoned forces a double take, especially at this level of realism. Lacatusu’s perspective is provocative and timely, elevating this series well beyond a masterclass in CGI.

Via Behance

    

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As we’ve mentioned before, we occasionally have a lapse of design envy. It doesn’t happen too often… after all, we are a pretty terrifically creative bunch here at Barbour. But sometimes we encounter work that is just so damn brilliant. So good, in a “why didn’t we think of that?” sort of way, that we have to concede our envy publicly (in a good way, of course). In this instance, it’s the illustrious work of New York-based designer and letterer Nick Misani. Though we are absolutely taken with Misani’s entire stunning body of work, we are particularly impressed with his ongoing Fauxsiacs series. Here, Misani hones his stellar lettering skills in the context of realistic mosaic illustrations to great effect. Misani’s work is clearly historically influenced, with a modern twist, and it’s no surprise that he has worked with design icon Louise Fili, perhaps the highest compliment. We will be keeping an eye on this series, which features destinations from around the world. The possibilities are endless, and hopefully coming to a city near you! Prints available here.

Via fauxsaics.com and Instagram

Posters are some of our favorite, yet challenging, projects. Poster design is a marriage between visual aesthetic and the delivery of information, between textual and graphical elements… the very fundamentals of graphic design. It should come as no surprise, then, that an institution as important and influential as the New York Film Festival places great emphasis on this visual embodiment of its annual event. Festival organizers manage to recruit some truly respected artists and photographers year after year for its remarkable posters. Below is just a sampling, starting with this year’s by renowned sculptor Richard Serra.

Via nytimes.com

Our penchant for serial works never diminishes. There’s just something about the natural order of things that is so satisfying. Glasgow-based illustrator/designer Jack Daly taps into that systemization while exploring his love of illustration, typography, and travel with his aptly titled Wanderlust Alphabet. And we have to say, the results, so far, are pretty great. It goes without saying that Daly is a terrific artist, and his adept use of color and sense of composition really make each of these pieces sing. Having just tackled the very beginning of the alphabet so far, Daly differentiates each letter/city with signature landmarks, architecture, local customs, etc. We are really taken with Daly’s style and cannot wait to see this alphabet grow. The possibilities are endless! In the meantime, prints available here.

Via Behance and Instagram

Australian photographer James Popsys has some serious skills behind both the lens and his MacBook Pro, but his work is anything but serious. Popsys is not one to indulge in self-importance or highbrow projects but rather focuses on manipulating scenes from everyday life into playful, sometimes ironic works. That’s not to say his approach is not conceptual or smart… Popsys just can’t help but inject his subversive sense of humor into his surreal photographs. In these globally solemn and often humorless times, Popsys’s work is refreshing. Keep it coming.

Via jamespopsys.com

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A lot has happened in the world since we last visited the quirky and thought-provoking work of Atlanta-based BBDO Creative Director Stephen McMennamy. Yet his steadfast #ComboPhotos project continues to churn out clever mashups and engage people around the globe. In fact, as cited in our previous post (here) back in September 2015, he had almost 50K Instagram followers… well, his following has ballooned to 226K and growing. And for good reason. His compositions, which are all comprised of original, thoughtfully captured photography (rather than stock images) are simple and fun. Their brilliance is in their subtlety, and also the purposeful absence of Photoshop blending tools. McMennamy’s work makes us do a double-take, which is a sure measure of something special in our minds. His work is as impressive as ever… can’t wait to check back in another 16 months to see what McMennamy has conjured up.

Via Instagram

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Welp, UK designer/illustrator/artist Christopher LaBrooy has done it again. His mad CGI skills continue to amaze us. LaBrooy is a master manipulator, creating surreal digital compositions that defy logic and reason (previous posts here and here). Aptly titled simply 911, and set in what appears to be picturesque Palm Springs, LaBrooy pays homage to the iconic 1973 Porsche 911 Carrera RS in this incredible series. What we love most about LaBrooy’s work is that he elevates his adeptness in Maxon Cinema 4D beyond gratuitous rendering for the sake of rendering, to thoughtful and awe-inspiring artwork. Gearheads may shudder at the sight of a dozen otherwise pristine Porches partially submerged in a pool, but that’s precisely what LaBrooy seems to strive for: an emotional response to his digital work. As far as we’re concerned, mission accomplished (again).

Via chrislabrooy.com

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One mint Porsche 911 Carrera RS #porsche #porsche911 #bendy #animation

A post shared by Chris Labrooy (@chrislabrooy) on

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It’s true that we’ve seen our fair share of movie posters through the years (here, here and here), but nothing quite like these. Manchester, UK-based designer/photographer/poster artist Jordan Bolton doesn’t rely on highly stylized shots from the film, or even the film’s actors. No effects-laden titles or much typography to speak of at all. Instead, for his Objects series, Bolton meticulously arranges prop elements from each film, paying careful attention to color palettes and composition to relay the film’s themes. For his Rooms series, Bolton applies that same attention to detail, focusing instead on recreating floor plans from keys scenes in the films. We cannot imagine how much close watching of these films Bolton does to be able to create these works. This is a true cinephile’s dream, and lucky for them Bolton sells prints here and here.

Via Tumblr and Facebook

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We’ve seen art created from a wide variety of media, but nothing quite like this. As a matter of fact, if you had to guess how these were created just by looking at them, you’d probably have a hard time figuring it out. Relying on little more than brown packing tape, an Xacto and the filtering of light behind a translucent surface, Amsterdam-based artist Max Zorn’s work is awe-inspiring. The nuance in shading he achieves by layering tape is astounding all on its own. Never mind Zorn’s ability to manipulate the tape so intricately. It’s interesting how these works, composed of such an unexpected and artless material, are so beautiful. Zorn clearly has a penchant for the past, as indicated by his choice of subjects for the majority of his work. Interestingly, Zorn’s fondness for packing tape began as street art, as he describes in his own words: “There’s a lot of great street art by day, but it disappears after dark. I wanted to come up with urban art that uses nighttime as a setting, and there was nothing more inviting than the street lamps in Amsterdam. In the beginning I used packing tape to fill in larger sections of my marker drawings. Once I hung them on street lamps, the light’s effect opened up new ideas with ditching markers and just using tape.”

Via maxzorn.com and YouTube

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The old adage goes, “beauty is in the eye of the beholder.” Munich-based photographer/artist Nick Frank’s series Farbraum, which translates from German to “color space”, is a look at otherwise mundane sights through the eyes of a gifted visual artist. In this terrific series, Frank literally extracts colors from these images, and brings them to the forefront in compelling new ways. Frank’s sense of color and composition are quite masterful. In his own words, Frank describes the project: “What is beauty? A rusty street lamp which has not lit up a road in a while. Buildings made out of prefabricated concrete in the middle of nowhere. Faded drainage pipes covered with rust and dust. Farbraum offers evidence that beauty is indeed in the eye of the beholder. Everyday objects perceived as ugly by society are suddenly moved into a new light by extracting colors – and even more: by leaching and overlapping colored accents of the motif it gains an additional dimension. The color stripes with the isolated main color and four secondary colors of the image finally show a greater variance within the image: the variance of depth. Objects turn tangible and vivid.”

Via nickfrank.de

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