Believe it or not, for being such a simple, uncomplicated product, Lego has some particularly clever and thought-provoking advertisements (here and here). Already three years old, this campaign celebrating 55 years of the Lego brand is basically a series of 55 visual riddles, fittingly featuring little more than the iconic bricks. The great minds at Swiss agency Cavalcade are behind these fantastically clever designs, which, much like Legos themselves, inspire a great deal of imagination. We must admit, we’re still struggling to solve many of these, but it’s so satisfying having solved the ones we did. Answer key to the few ads featured here at the bottom of this post. No peeking, try to figure them out for yourself!
Via Behance
Answers (in order of images): Yellow Submarine, Alice in Wonderland, Three Little Pigs, Purple Rain, Jaws, Spider-Man, The White Stripes, Hunger Games, Four Weddings and a Funeral, Bob Marley and the Wailers, Goldilocks and the Three Bears, Jackson 5, King Kong, Titanic, Stairway to Heaven, I Walk the Line, The Beatles, New Kids on the Block, Little Red Riding Hood, Clockwork Orange, Men in Black, Rolling Stones
Facebank: Superhero Currency
It is said that art is often an honest reflection of societal issues at large. History shows that for centuries art has been a sort of barometer, documenting larger issues through the lens of the artist. This certainly holds true for the work of Italian artist Alessandro Rabatti. His series Facebank serves as commentary for the very uncertain financial state of the world today, with a humorous bent, of course. Rabatti alters iconic faces on currency (related posts here and here and here) from around the world, “disguising” them as fictional superheroes. Despite the seemingly fun nature of these pieces, Rabatti’s intent and message is likely much deeper. For one, by altering the faces of these historical figures to look like familiar comic book characters with a rich (albeit fictional) history of their own, Rabatti remarks on their economic and political status, looking to them as possible “saviors” of the global economic crisis. There is an implied trust in these figures, both real and fictional, so the dialogue Rabatti initiates with this series could really go on and on. Oh, and these works are just plain cool looking. From conception to execution, we’d say Rabatti has creative super powers of his own.
Via alessandrorabatti.com
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